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Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    6171 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    494 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 186 matching records exist across the two collections.

Results for "Bone Carving, Possibly of a Dionysiac Re"12 records

Institutions answered newest-first by record, interleaved

Panels of a writing board by an unrecorded maker, The Metropolitan Museum of Art

Panels of a writing board

Unrecorded maker

ca. 721–705 BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Openwork furniture plaque with head of a sphinx by an unrecorded maker, The Metropolitan Museum of Art

Openwork furniture plaque with head of a sphinx

Unrecorded maker

ca. 9th–8th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Plaque with falcon-headed Re wearing crown of Upper and Lower Egypt by an unrecorded maker, The Metropolitan Museum of Art

Plaque with falcon-headed Re wearing crown of Upper and Lower Egypt

Unrecorded maker

ca. 8th–7th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Falcon-headed sphinx recumbent on a pedestal with a ramp, and a feline(?) behind, possibly a gnomon for a shadow clock or instrument by an unrecorded maker, The Metropolitan Museum of Art

Falcon-headed sphinx recumbent on a pedestal with a ramp, and a feline(?) behind, possibly a gnomon for a shadow clock or instrument

Unrecorded maker

664–30 BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Bone Carving, Possibly of a Dionysiac Revel by an unrecorded maker, The Metropolitan Museum of Art

Bone Carving, Possibly of a Dionysiac Revel

Unrecorded maker

300–500 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Fragment of a Panel by an unrecorded maker, The Metropolitan Museum of Art

Fragment of a Panel

Unrecorded maker

11th century · Bone; carved

Cleared · Public Domain

live
The MetSimilar
Diptych with the Coronation of the Virgin and the Last Judgment by an unrecorded maker, The Metropolitan Museum of Art

Diptych with the Coronation of the Virgin and the Last Judgment

Unrecorded maker

ca. 1260–70 · Elephant ivory, with metal mounts

Cleared · Public Domain

live
The MetSimilar
Square Piano by an unrecorded maker, The Metropolitan Museum of Art

Square Piano

Unrecorded maker

late 18th century · Black walnut, pine, sycamore, bone, iron, various materials

Cleared · Public Domain

live
The MetSimilar
Pendant of Saint Anthony of Padua by Kongo artist, The Metropolitan Museum of Art

Pendant of Saint Anthony of Padua

Kongo artist

18th century · Ivory (hippopotamus incisor)

Cleared · Public Domain

live
The MetSimilar
Bust of a girl (Flora?) by an unrecorded maker, The Metropolitan Museum of Art

Bust of a girl (Flora?)

Unrecorded maker

ca. 1840 · Ivory, carved and chiseled; socle: sodalite with molded bronze base (not original

Cleared · Public Domain

live
The MetSimilar
Side-blown Trumpet by an unrecorded maker, The Metropolitan Museum of Art

Side-blown Trumpet

Unrecorded maker

19th century · Ivory

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Gold, Sapphire (?), Pearl, and Enamel Brooch

Unrecorded maker

ca. 1870–1930 · Graphite, watercolor, and gold pigment

In copyright

live
The MetSimilar

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