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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1021 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    348 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 208 matching records exist across the two collections.

Results for "Bone implement"12 records

Institutions answered newest-first by record, interleaved

Stone axehead by an unrecorded maker, The Metropolitan Museum of Art

Stone axehead

Unrecorded maker

ca. 5000–4000 BCE

Cleared · Public Domain

live
The MetSimilar
Single-Edged Knife (Scramasax) by an unrecorded maker, The Cleveland Museum of Art

Single-Edged Knife (Scramasax)

Unrecorded maker

600s · Arms and Armor, iron, copper, and gold foil

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Implement by an unrecorded maker, The Metropolitan Museum of Art

Implement

Unrecorded maker

ca. 3850–2960 BCE · Bone

Cleared · Public Domain

live
The MetSimilar
Single-Edged Knife (Scramasax) by an unrecorded maker, The Cleveland Museum of Art

Single-Edged Knife (Scramasax)

Unrecorded maker

600s · Arms and Armor, iron, copper, and gold foil

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Serpentine axehead by an unrecorded maker, The Metropolitan Museum of Art

Serpentine axehead

Unrecorded maker

ca. 2000–1600 BCE · Serpentine

Cleared · Public Domain

live
The MetSimilar
Single-Edged Knife (Scramasax) by an unrecorded maker, The Cleveland Museum of Art

Single-Edged Knife (Scramasax)

Unrecorded maker

c. 500–700 · Arms and Armor, iron, brass, gold foil, gold wire, gemstones

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Handle with two heads of ducks by an unrecorded maker, The Metropolitan Museum of Art

Handle with two heads of ducks

Unrecorded maker

ca. 9th–8th century BCE · Bone

Cleared · Public Domain

live
The MetSimilar
Bird Pendant (Buzzard or Vulture?) by an unrecorded maker, The Cleveland Museum of Art

Bird Pendant (Buzzard or Vulture?)

Unrecorded maker

c. 300 BCE–600 CE · Jewelry, jadeite

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Needles, hooks, and harpoon by an unrecorded maker, The Metropolitan Museum of Art

Needles, hooks, and harpoon

Unrecorded maker

-300 · Bone

Cleared · Public Domain

live
The MetSimilar
Arrowheads, needles, hooks and harpoons by an unrecorded maker, The Metropolitan Museum of Art

Arrowheads, needles, hooks and harpoons

Unrecorded maker

-200 · Bone

Cleared · Public Domain

live
The MetSimilar
Gold ear pick by an unrecorded maker, The Metropolitan Museum of Art

Gold ear pick

Unrecorded maker

1st century CE · Gold

Cleared · Public Domain

live
The MetSimilar
Bone implement by an unrecorded maker, The Metropolitan Museum of Art

Bone implement

Unrecorded maker

2nd–3rd century CE · Bone

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.