
Book of Hours (Use of Paris)
Boucicaut Master
c. 1420 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
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The Metropolitan Museum of Art did not answer: met answered HTTP 403
383 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 105 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Book of Hours (Use of Paris)
Boucicaut Master
c. 1420 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
live
Hours of Charles the Noble, King of Navarre (1361-1425)
Master of the Brussels Initials and Associates
c. 1404 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
live
Printed Book of Hours (Use of Rome)
Guillaume Le Rouge (d. 1517)
1510 · Bound Volume, 112 printed folios on parchment, bound
Cleared · CC0
live
Book of Hours (Use of Paris)
The Bedford Master
c. 1420 · Bound Volume, ink, tempera, and gold on vellum
Cleared · CC0
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Printed Book of Hours (Use of Rome): fol. 66v, Text
Guillaume Le Rouge (d. 1517)
1510 · Bound Volume, 112 printed folios on parchment, bound
Cleared · CC0
live
Printed Book of Hours (Use of Rome): fol. 95v, Text
Guillaume Le Rouge (d. 1517)
1510 · Bound Volume, 112 printed folios on parchment, bound
Cleared · CC0
live
Leaf from a Book of Hours: The Visitation
Boucicaut Master
c. 1415 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
live
Leaf from a Book of Hours: Adoration of the Magi
Master of Thomas Hoo
c. 1440–50 · Manuscript, ink, tempera and gold on vellum
Cleared · CC0
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Pair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin
Boucicaut Master
c. 1415 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
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Leaves from a Book of Hours: The Visitation and Christ in Judgment
Boucicaut Master
c. 1415 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
live
Bifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso)
Boucicaut Master
c. 1415 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
live
Printed Book of Hours (Use of Rome): fol. 109r, Mary Magdalene
Guillaume Le Rouge (d. 1517)
1510 · Bound Volume, 112 printed folios on parchment, bound
Cleared · CC0
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
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