Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    657 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    329 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Book of Hours (Use of Paris): Fol. 108r,"12 records

Institutions answered newest-first by record, interleaved

The Prayer Book of Bonne of Luxembourg, Duchess of Normandy by Jean Le Noir, The Metropolitan Museum of Art

The Prayer Book of Bonne of Luxembourg, Duchess of Normandy

Jean Le Noir (d. 1375)

before 1349 · Tempera, grisaille, ink, and gold on vellum

Cleared · Public Domain

live
The MetSimilar
Book of Hours (Use of Paris): Fol. 108r, The Pentecost by The Bedford Master, The Cleveland Museum of Art

Book of Hours (Use of Paris): Fol. 108r, The Pentecost

The Bedford Master

c. 1420 · Bound Volume, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Sundial of Ahaz, leaf from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra by an unrecorded maker, The Metropolitan Museum of Art

Sundial of Ahaz, leaf from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra

Unrecorded maker

ca. 1360–1380 · Opaque watercolor, iron-gall ink and gold on vellum

Cleared · Public Domain

live
The MetSimilar
Printed Book of Hours (Use of Rome):  fol. 108r, St. Bernard of Clairvaulx by Guillaume Le Rouge, The Cleveland Museum of Art

Printed Book of Hours (Use of Rome): fol. 108r, St. Bernard of Clairvaulx

Guillaume Le Rouge (d. 1517)

1510 · Bound Volume, 112 Printed folios on parchment, bound

Cleared · CC0

live
Cleveland Museum of ArtSimilar
The Belles Heures of Jean de France, duc de Berry by The Limbourg Brothers, The Metropolitan Museum of Art

The Belles Heures of Jean de France, duc de Berry

The Limbourg Brothers (d. 1416)

1405–1408/1409 · Tempera, gold, and ink on vellum

Cleared · Public Domain

live
The MetSimilar
Astronomical table clock by Jeremias Metzger, The Metropolitan Museum of Art

Astronomical table clock

Jeremias Metzger (d. 1602)

1568 · Case and dials: gilded brass; Movement: iron

Cleared · Public Domain

live
The MetSimilar
Watch with portrait of Friedrick Wilhelm, the Great Elector by Johann G. Racine, The Metropolitan Museum of Art

Watch with portrait of Friedrick Wilhelm, the Great Elector

Johann G. Racine (d. 1748)

case ca. 1688, movement ca. 1750 · Case: painted enamel on gold; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Mantel clock ("Pendule Uranie") by Jean-André Lepaute, The Metropolitan Museum of Art

Mantel clock ("Pendule Uranie")

Jean-André Lepaute (d. 1789)

ca. 1764–70 · Case: patinated bronze and gilded bronze; Dial: white enamel; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Repeating watch by Francis Perigal, The Metropolitan Museum of Art

Repeating watch

Francis Perigal (d. 1767)

probably ca. 1770 · Case: partly enameled gold; Dial: white enamel with black numerals and silver hands set with diamonds; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Watch case by George Harrison, The Metropolitan Museum of Art

Watch case

George Harrison (d. 1790)

probably ca. 1770 · Partly enameled gold, outer case set with diamonds

Cleared · Public Domain

live
The MetSimilar
Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso) by Hubert Robert, The Metropolitan Museum of Art

Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso)

Hubert Robert (d. 1808)

ca. 1800 · Black chalk

Cleared · Public Domain

live
The MetSimilar
L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911) by Vincent van Gogh, The Metropolitan Museum of Art

L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911)

Vincent van Gogh (d. 1890)

1888–89 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.