Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
336 ms. The Metropolitan Museum of Art, Collection API (Open Access)
356 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 33 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)
Pietro da Cortona (Pietro Berrettini) (d. 1669)
ca. 1635 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vesta Victoria at the Old Bedford
Walter Richard Sickert (d. 1942)
ca. 1890 · Black chalk with white heightening, pen and ink, lines from blue transfer paper, on brown paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: ["Etudes pour Parade": Cocteau's handwritten notes]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Cocteau's handwritten draft of libretto for Parade]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Cocteau's handwritten notes for Parade captioned "L'acrobate"]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Cocteau's handwritten notes for Parade captioned "La Petite Fille Americaine"]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Cocteau's handwritten notes for Parade captioned "Le Prestidigitateur chinois"]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Notes by Cocteau addressed to Satie, "Pour le numéro de l'acrobate"]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Notes by Cocteau addressed to Satie, "Pour le numéro de la petite fille americaine"]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Notes by Cocteau addressed to Satie, "Pour le numéro du Prestidigitateur chinois"]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Documents concerning Parade: [Notes by Cocteau]
Jean Cocteau (d. 1963)
1916–17
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Booklet of Coptic drawings, notes, and sketches
Tiffany Studios (d. 1932)
1920–27 · Watercolor, gauche, ink, and graphite on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.