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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    250 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    267 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 219 matching records exist across the two collections.

Results for "Bookplate for Thomas White, Bookseller a"12 records

Institutions answered newest-first by record, interleaved

Display dish with Charles II (1630–1685) in a tree by Thomas Toft, The Metropolitan Museum of Art

Display dish with Charles II (1630–1685) in a tree

Thomas Toft (d. 1689)

ca. 1680 · Slip-decorated earthenware

Cleared · Public Domain

live
The MetSimilar
Portrait of a man by Thomas Frye, The Metropolitan Museum of Art

Portrait of a man

Thomas Frye (d. 1762)

1760 · Black and white chalk on beige paper

Cleared · Public Domain

live
The MetSimilar
Mountain Landscape with a Castle and a Boatman by Thomas Gainsborough, The Metropolitan Museum of Art

Mountain Landscape with a Castle and a Boatman

Thomas Gainsborough (d. 1788)

mid-to-late 1780s · Black and white chalk with stumping on blue wove paper

Cleared · Public Domain

live
The MetSimilar
Walking Sticks and Round-A-Bouts for the Year 1801 by Thomas Rowlandson, The Metropolitan Museum of Art

Walking Sticks and Round-A-Bouts for the Year 1801

Thomas Rowlandson (d. 1827)

May 8, 1801 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Bedstead by Thomas Seymour, The Metropolitan Museum of Art

Bedstead

Thomas Seymour (d. 1848)

1810–15 · Mahogany, mahogany veneer, mahoganized maple and white pine, painted and gilded wood

Cleared · Public Domain

live
The MetSimilar
Woman at a Window (from Sketchbook) by Thomas Sully, The Metropolitan Museum of Art

Woman at a Window (from Sketchbook)

Thomas Sully (d. 1872)

1810–20 · Pen and brown ink washes (bistre?) on off-white laid paper

Cleared · Public Domain

live
The MetSimilar
Branch of ivy (recto); Study of an urn for "Damocles" (verso) by Thomas Couture, The Metropolitan Museum of Art

Branch of ivy (recto); Study of an urn for "Damocles" (verso)

Thomas Couture (d. 1879)

ca. 1866 · Black fabricated chalk and white chalk

Cleared · Public Domain

live
The MetSimilar
John Biglin in a Single Scull by Thomas Eakins, The Metropolitan Museum of Art

John Biglin in a Single Scull

Thomas Eakins (d. 1916)

ca. 1873 · Watercolor on off-white wove paper

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bookplate for Thomas White, Bookseller and Stationer

Anonymous, British, 18th century (d. 1800)

late 18th century · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Horse Shed Stakes, Free for All

Thomas B. Worth (d. 1917)

1877 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Mule Train on a Down Grade: "Clar de Track for We's a Comin."

Thomas B. Worth (d. 1917)

1881 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bessie Springs Smith White (Mrs. Stanford White)

Thomas Wilmer Dewing (d. 1938)

1887 · Oil on panel

In copyright

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The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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