
Border fragment, figures with staves
Unrecorded maker
4th–3rd century BCE · Camelid hair
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
471 ms. The Metropolitan Museum of Art, Collection API (Open Access)
334 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,051 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Border fragment, figures with staves
Unrecorded maker
4th–3rd century BCE · Camelid hair
Cleared · Public Domain
live
Text, folio 8 (recto), from a Gospel Book with Commentaries
Unrecorded maker
c. 1000–1100 · Bound Volume, ink, tempera, and gold on vellum; leather binding
Cleared · CC0
live
Convivio delle Belle Donne, page 8 (verso)
Nicolò Zoppino (d. 1544)
August 1532 · Woodcut
Cleared · Public Domain
live
Text, folio 8 (verso), from a Gospel Book with Commentaries
Unrecorded maker
c. 1000–1100 · Bound Volume, ink, tempera, and gold on vellum; leather binding
Cleared · CC0
live
Trionfo Di Virtu. Libro Novo..., page 8 (recto)
Matteo Pagano (d. 1588)
1563 · Woodcut
Cleared · Public Domain
live
Tulips, Snail, and Dog with Hybrid Creature Border, folio 8 (recto), from Florilegium (A Book of Flower Studies)
Unrecorded maker
1608 · Bound Volume, watercolor, ink, silver, and gold over occasional traces of pencil, on vellum
Cleared · CC0
live
Pretiosa Gemma delle virtuose donne, page 24 (recto)
Isabella Catanea Parasole (d. 1625)
1600 · Woodcut
Cleared · Public Domain
live
Tulips with Floral Border, folio 8 (verso), from Florilegium (A Book of Flower Studies)
Unrecorded maker
1608 · Bound Volume, watercolor, ink, silver, and gold over occasional traces of pencil, on vellum
Cleared · CC0
live
Plate 8, from "Friezes with Birds, Flowers and Meandering Wreaths and Scrolls"
Theodor Bang (d. 1606)
ca. 1600–1617 · Etching
Cleared · Public Domain
live
Winter Landscape with Skater
Jan van Kessel (d. 1680)
1662 · Drawing, brush and black ink and grey wash over black chalk on cream laid paper; brown ink framing line
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Parure des Dames, Plate 8
Mondhare et Jean
ca. 1776 · Hand colored engraving
In copyright
live
Portrait of Sir John Macpherson, 1st Baronet, Governor-General of India
John I Smart (d. 1811)
1787 · Portrait Miniature, watercolor and gouache heightened with white gouache on paper
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.