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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    252 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    369 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 46 matching records exist across the two collections.

Results for "Boston, as the Eagle and the Wild Goose"12 records

Institutions answered newest-first by record, interleaved

Belt slide with a falcon attacking a swan by an unrecorded maker, The Metropolitan Museum of Art

Belt slide with a falcon attacking a swan

Unrecorded maker

12th–14th century · Jade (nephrite)

Cleared · Public Domain

live
The MetSimilar
Armchair with the cipher of James II and Mary of Modena by an unrecorded maker, The Metropolitan Museum of Art

Armchair with the cipher of James II and Mary of Modena

Unrecorded maker

ca. 1685–88 · Walnut; modern velvet

Cleared · Public Domain

live
The MetSimilar
Liberty by an unrecorded maker, The Metropolitan Museum of Art

Liberty

Unrecorded maker

Ca. 1800 · verre églomisé

Cleared · Public Domain

live
The MetSimilar
Side drum by Henry H. Prentiss, The Metropolitan Museum of Art

Side drum

Henry H. Prentiss (d. 1860)

ca. 1840 · Wood with paint, rope, leather, skin

Cleared · Public Domain

live
The MetSimilar
Boston, as the Eagle and the Wild Goose See It by James Wallace Black, The Metropolitan Museum of Art

Boston, as the Eagle and the Wild Goose See It

James Wallace Black (d. 1896)

1860 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Eagle Head, Manchester, Massachusetts (High Tide) by Winslow Homer, The Metropolitan Museum of Art

Eagle Head, Manchester, Massachusetts (High Tide)

Winslow Homer (d. 1910)

1870 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
The Procession, from Nathaniel Hawthorne's "The Scarlet Letter" by Felix Octavius Carr Darley, The Metropolitan Museum of Art

The Procession, from Nathaniel Hawthorne's "The Scarlet Letter"

Felix Octavius Carr Darley (d. 1888)

ca. 1879 · Pen and black ink with graphite and pale blue wash

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Arms of the City of New York

John Rubens Smith (d. 1849)

ca. 1815 · Watercolor, gouache, and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Mr. Mathews in his various Characters in A Wild Goose Chace or the Inn at Baltimore

George Cruikshank (d. 1878)

January 18, 1823 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Van Amburgh and Co.'s Triumphal Car, Passing the Astor House, April 20th 1846

Nathaniel Currier (d. 1888)

1846 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

American River Scenery – View on the Androscoggin, Maine

Currier & Ives (d. 1907)

ca. 1870 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Poultry Show on the Road: Fun for the Pup

Nicholas Winfield Scott Leighton (d. 1898)

1883 · Hand-colored lithograph, with touches of gum arabic

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.