
Study for “Madame Théodore Gobillard” (Yves Morisot)
Edgar Degas (d. 1917)
1869 · Graphite; squared in graphite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
333 ms. The Metropolitan Museum of Art, Collection API (Open Access)
355 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 79 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Study for “Madame Théodore Gobillard” (Yves Morisot)
Edgar Degas (d. 1917)
1869 · Graphite; squared in graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Armchair
Richard Riemerschmid (d. 1957)
ca. 1900 · Beech
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Armchair
Frank Lloyd Wright (d. 1959)
ca. 1902–3 · White oak, wool
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Armchair
Frank Lloyd Wright (d. 1959)
ca. 1902–3 · White oak, wool
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Armchair
Frank Lloyd Wright (d. 1959)
ca. 1902–3 · White oak, wool
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Armchair
Frank Lloyd Wright (d. 1959)
ca. 1902–3 · White oak, wool
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Room with a Balcony
Guido Heigl (d. 1926)
ca. 1920 · Brush and black ink, blue and green crayon and gray and brown gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Living Room with Chaise Lounge
André Arbus (d. 1969)
ca. 1935 · Watercolor and gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Southern Theme (The Room) No. III
Eldzier Cortor (d. 2015)
1947 · Oil and gesso on panel
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Set Dinner Table in Walker Evans' Living Room, Old Lyme, Connecticut]
Walker Evans (d. 1975)
1973 (?) · Instant diffusion transfer prints
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Living Room of the Future
William Wegman (d. 9999)
1997–98 · Single-channel digital video, transferred from Sony MiniDV video tape, color, sound, 1 min., 38 sec.
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Both Chairs in CW's Living Room
Lucas Blalock (d. 9999)
2012 · Chromogenic print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.