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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    355 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    268 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7 matching records exist across the two collections.

Results for "Bottle, Skeletal Couple with Child"7 records

Institutions answered newest-first by record, interleaved

Whistle by Cupisnique artist(s), The Metropolitan Museum of Art

Whistle

Cupisnique artist(s)

1200–500 BCE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Bottle, Skeletal Couple with Child by an unrecorded maker, The Metropolitan Museum of Art

Bottle, Skeletal Couple with Child

Unrecorded maker

3rd–7th century · Ceramic, slip, pigment

Cleared · Public Domain

live
The MetSimilar
Gin Lane by William Hogarth, The Metropolitan Museum of Art

Gin Lane

William Hogarth (d. 1764)

February 1, 1751 · Etching and engraving; third state of three

Cleared · Public Domain

live
The MetSimilar
Journey for Eternity, No. 5 by J. J. Grandville, The Metropolitan Museum of Art

Journey for Eternity, No. 5

J. J. Grandville (d. 1847)

ca. 1839 · Lithograph

Cleared · Public Domain

live
The MetSimilar
The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done by George Augustus Sala, The Metropolitan Museum of Art

The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done

George Augustus Sala (d. 1895)

1850 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
The great dance of skeletons by José Guadalupe Posada, The Metropolitan Museum of Art

The great dance of skeletons

José Guadalupe Posada (d. 1913)

1906 · Type-metal engraving and letterpress on orange paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rickets

Albert Abramovitz (d. 1963)

1935–43 · Wood engraving

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.