Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
157 ms. The Metropolitan Museum of Art, Collection API (Open Access)
317 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,501 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Custom House (Government House–Bowling Green), New York
William Rollinson (d. 1842)
after May 1, 1799 · Aquatint, printed in brown ink; proof before letters; first state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of the Bowling Green, Broadway, New York
Vistus Balch (d. 1884)
1830 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New York
Samuel Davenport (d. 1867)
1835 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Bowling Green Fountain – View of the Great Conflagration at New York, July 19th, 1845, from the Bowling Green
Nathaniel Currier (d. 1888)
1845 · Lithograph with touches of hand coloring
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Bowling Green Fountain – View of the Great Conflagration at New York, July 19th, 1845, From the Bowling Green
Nathaniel Currier (d. 1888)
1845 · Lithograph with touches of hand coloring
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Broadway at Bowling Green, New York, 1800
Abraham Hosier (d. 1883)
after 1860 · Pen and brown ink and watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bowling Green, New York City
George Gardner Rockwood (d. 1911)
1880s · Albumen silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bowling Green
Charles Magnus & Company (d. 1880)
1850–1900 · Wood engraving, hand colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Bowling Green
Charles Magnus & Company (d. 1880)
1850–1900 · Wood engraving, hand colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[IRT Construction, Bowling Green, New York City]
Granville Whittlesey Pullis (d. 9999)
1905 · Cyanotype
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
From Bowling Green to West 118th Street (16 New York Views)
J. J. Watts (d. 1909)
1860–1905 · Watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Broadway North from Bowling Green from New York City miniature souvenir views (W500)
Unrecorded maker
ca. 1925–30 · Commercial photolithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.