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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    859 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    274 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 36 matching records exist across the two collections.

Results for "Box with Portuguese Horseman"12 records

Institutions answered newest-first by record, interleaved

Writing box with Camões inscription by an unrecorded maker, The Metropolitan Museum of Art

Writing box with Camões inscription

Unrecorded maker

late 16th century · Wood, lacquer, gold and iron

Cleared · Public Domain

live
The MetSimilar
Inlaid Box for the Portuguese Market by an unrecorded maker, The Metropolitan Museum of Art

Inlaid Box for the Portuguese Market

Unrecorded maker

ca.1600 · Wood (teak); veneered with ebony, inlaid ivory, and lac

Cleared · Public Domain

live
The MetSimilar
Filigree Casket with Sliding Top by an unrecorded maker, The Metropolitan Museum of Art

Filigree Casket with Sliding Top

Unrecorded maker

17th century · Silver filigree; parcel-gilt

Cleared · Public Domain

live
The MetSimilar
Box by an unrecorded maker, The Metropolitan Museum of Art

Box

Unrecorded maker

18th century · Bone or ivory

Cleared · Public Domain

live
The MetSimilar
Box with Man, Goat, and Crocodile by Ìgbèsànmwà (ivory- and wood- carving guild) artists, The Metropolitan Museum of Art

Box with Man, Goat, and Crocodile

Ìgbèsànmwà (ivory- and wood- carving guild) artists

19th century · Ivory

Cleared · Public Domain

live
The MetSimilar
Box with Ọ́bà Ozolua and unidentified ọ́bà by Omada (sword bearer and wood carver) association member(s), The Metropolitan Museum of Art

Box with Ọ́bà Ozolua and unidentified ọ́bà

Omada (sword bearer and wood carver) association member(s)

19th century · Wood, sheet metal

Cleared · Public Domain

live
The MetSimilar
Box with Portuguese Horseman by Ìgbèsànmwà (ivory- and wood- carving guild) artists, The Metropolitan Museum of Art

Box with Portuguese Horseman

Ìgbèsànmwà (ivory- and wood- carving guild) artists

19th century · Ivory

Cleared · Public Domain

live
The MetSimilar
Lidded Box with Portuguese Face by Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, The Metropolitan Museum of Art

Lidded Box with Portuguese Face

Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists

16th–19th century · Brass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Box with Ọ́bà Ozolua and unidentified ọ́bà

Omada (sword bearer and wood carver) association member(s)

19th–mid-20th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Box with European figure in a boat

Omada (sword bearer and wood carver) association member(s)

19th–20th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gold Dust Box (abamphruwa)

Unrecorded maker

19th–20th century · Brass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Gold Dust Box (abamphruwa)

Unrecorded maker

19th–20th century · Brass

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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