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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1343 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    378 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 21,537 matching records exist across the two collections.

Results for "Boy and Book"12 records

Institutions answered newest-first by record, interleaved

Boy Reading a Book by Wallerant Vaillant, The Metropolitan Museum of Art

Boy Reading a Book

Wallerant Vaillant (d. 1677)

mid-17th century · Mezzotint; second state of two

Cleared · Public Domain

live
The MetSimilar
Boy Bringing Wealth by an unrecorded maker, The Cleveland Museum of Art

Boy Bringing Wealth

Unrecorded maker

1736–95 · Print, Polychrome woodblock print; ink and color on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Black Boy and White Boy]

Unknown

1850s · daguerreotype

In copyright

live
The MetSimilar
Man, Buffalo, and Calf by Li You, The Cleveland Museum of Art

Man, Buffalo, and Calf

Li You (d. 1145)

1145 · Painting, album leaf; ink and color on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Boy and Book

Charles Ethan Porter (d. 1923)

late 1870s · Graphite and watercolor on paper

In copyright

live
The MetSimilar
Alarums and Excursions by Maxfield Parrish, The Cleveland Museum of Art

Alarums and Excursions

Maxfield Parrish (d. 1966)

1899 · Drawing, brush and black and gray wash, with white gouache, over graphite, framing lines in pen and black ink

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Boy and Duck

Frederick William MacMonnies (d. 1937)

1895–96, cast 1901 · Bronze

In copyright

live
The MetSimilar
Rishyashringa addresses the courtesans, from the "Shangri" Ramayana by an unrecorded maker, The Cleveland Museum of Art

Rishyashringa addresses the courtesans, from the "Shangri" Ramayana

Unrecorded maker

c. 1700–1725 · Painting, Gum tempera and ink on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Boy and Turtle

Henri Crenier (d. 1948)

1912 · Bronze

In copyright

live
The MetSimilar
Krishna returns with the cowherds to Braj, from a Bhagavata Purana by an unrecorded maker, The Cleveland Museum of Art

Krishna returns with the cowherds to Braj, from a Bhagavata Purana

Unrecorded maker

c. 1830 · Painting, Gum tempera and ink on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Boy with Book]

Emily Winthrop Miles (d. 1962)

1956 · Gelatin silver print

In copyright

live
The MetSimilar
Flowers of a Hundred Worlds (Momoyogusa): Chrysanthemum Boy (Kikujidō) by Kamisaka Sekka, The Cleveland Museum of Art

Flowers of a Hundred Worlds (Momoyogusa): Chrysanthemum Boy (Kikujidō)

Kamisaka Sekka (d. 1942)

1909–10 · Bound Volume, color woodcuts with gold and silver

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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