Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    235 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    321 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 61 matching records exist across the two collections.

Results for "Bradley: His Book, Vol. I, No. 3, Woman'"12 records

Institutions answered newest-first by record, interleaved

Enthroned Virgin and Child by an unrecorded maker, The Metropolitan Museum of Art

Enthroned Virgin and Child

Unrecorded maker

ca. 1210–20 · Oak with traces of polychromy

Cleared · Public Domain

live
The MetSimilar
The Whore of Babylon, from "The Apocalypse" by Albrecht Dürer, The Metropolitan Museum of Art

The Whore of Babylon, from "The Apocalypse"

Albrecht Dürer (d. 1528)

1498 · Woodcut

Cleared · Public Domain

live
The MetSimilar
Relief mounted as a mirror frame by Wenzel Jamnitzer, The Metropolitan Museum of Art

Relief mounted as a mirror frame

Wenzel Jamnitzer (d. 1585)

ca. 1568 · Gilded silver, ebony, mirror plate (later)

Cleared · Public Domain

live
The MetSimilar
Hooded wall clock with calendar by Ahasuerus I Fromanteel, The Metropolitan Museum of Art

Hooded wall clock with calendar

Ahasuerus I Fromanteel (d. 1693)

ca. 1660–65 · Case: ebony and oak veneered with ebony, ebonized wood, gilded brass; Dial: gilded brass with silvered-brass chapter ring; Movement: brass, steel

Cleared · Public Domain

live
The MetSimilar
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1 by Rudolph Ackermann, London, The Metropolitan Museum of Art

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1

Rudolph Ackermann, London (d. 1832)

January–June 1809 · Illustrations: hand-colored etching, woodcut, and textile samples

Cleared · Public Domain

live
The MetSimilar
The Sunday Walk, illustration to "Sally in Our Alley" by Edwin Austin Abbey, The Metropolitan Museum of Art

The Sunday Walk, illustration to "Sally in Our Alley"

Edwin Austin Abbey (d. 1911)

ca. 1886 · Pen and ink on cardboard

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bradley: His Book, Vol. I, No. 1

William Henry Bradley (d. 1962)

May 1896 · Periodical with letterpress (relief process) illustrations

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bradley: His Book, Vol. I, No. 2

William Henry Bradley (d. 1962)

June 1896 · Periodical with letterpress (relief process) illustrations

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bradley: His Book, Vol. I, No. 3, Woman's Number

William Henry Bradley (d. 1962)

July 1896 · Periodical with letterpress (relief process) illustrations

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bradley: His Book, Vol. I, No. 4

William Henry Bradley (d. 1962)

August 1896 · Periodical with letterpress (relief process) illustrations

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Bradley: His Book, Vol. II, No. 3

William Henry Bradley (d. 1962)

January 1897 · Periodical with letterpress (relief process) and photographic process illustrations

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

American Chap-Book, Vol. I, No. 3

William Henry Bradley (d. 1962)

November 1904 · Book with letterpress (relief process) illustrations

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.