
A man breaking up a fight; page 82 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes) (d. 1828)
ca. 1812–20 · Brush, brown ink washes, touches of black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
517 ms. The Metropolitan Museum of Art, Collection API (Open Access)
400 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 130 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

A man breaking up a fight; page 82 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes) (d. 1828)
ca. 1812–20 · Brush, brown ink washes, touches of black chalk
Cleared · Public Domain
live
Breaking that "Backbone"
Benjamin Henry Day Jr. (d. 1916)
1862–63 · Lithograph
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Female personification of Fortitude, a woman breaking a column
Anonymous, Italian, 16th century (d. 1600)
ca. 1520–60 · Chiaroscuro woodcut from three blocks in gray
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Breaking up of the "Agamemnon," No. I
Sir Francis Seymour Haden (d. 1910)
1870 · Etching and drypoint (counterproof); trial proof a (Harrington); second state of eleven (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Breaking up of the "Agamemnon," No. I
Sir Francis Seymour Haden (d. 1910)
1870 · Etching with drypoint; first state of two (Harrington); eighth state of eleven (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Breaking up of the Agamemnon, No. I
Sir Francis Seymour Haden (d. 1910)
1870 · Etching and mezzotint; first state of two (Harrington); eighth state of eleven (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Breaking up of the "Agamemnon," No. 2
Sir Francis Seymour Haden (d. 1910)
1880 · Etching and mezzotint; third state of three (Harrington); ninth state of nine (Schniederman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Breaking up of the "Agamemnon," No. II
Sir Francis Seymour Haden (d. 1910)
1880 · Etching; trial proof b (Harrington); fifth state of nine (Schneiderman)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
"Breaking In" – A Black Imp-osition
Thomas B. Worth (d. 1917)
1881 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Breaking Out – A Lively Scrimmage
Thomas B. Worth (d. 1917)
1881 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Breaking Waves
Claude Flight (d. 1955)
ca. 1931 · Linocut
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.