
Inscribed brick
Unrecorded maker
ca. 1895–1874 BCE · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
184 ms. The Metropolitan Museum of Art, Collection API (Open Access)
382 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 41 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Inscribed brick
Unrecorded maker
ca. 1895–1874 BCE · Ceramic
Cleared · Public Domain
live
Mud Brick Stamped with the Name and Titles of Senenmut
Unrecorded maker
ca. 1473–1458 BCE · Pottery
Cleared · Public Domain
live
Mud Brick Stamped with the Royal Names of Aakheperkare (Thutmose I) and Maatkare (Hatshepsut)
Unrecorded maker
ca. 1473–1458 BCE · Mud
Cleared · Public Domain
live
Mud Brick Stamped with the Throne Names Aakheperkare (Thutmose I) and Maatkare (Hatshepsut)
Unrecorded maker
ca. 1473–1458 BCE · Mud
Cleared · Public Domain
live
Brick stamped with the Names of Amenhotep III
Unrecorded maker
ca. 1386–1347 BCE · Mud
Cleared · Public Domain
live
Document Sealing With the Throne Name of Amenhotep III
Unrecorded maker
ca. 1386–1347 BCE · Mud
Cleared · Public Domain
live
Brick Stamped with the Name and Titles of Min
Unrecorded maker
ca. 1550–1300 BCE · Pottery
Cleared · Public Domain
live
Funerary Cone of Sen
Unrecorded maker
ca. 1550–1300 BCE · Pottery
Cleared · Public Domain
live
Cuneiform prism describing the restoration of Babylon by Esarhaddon, stamped with Assyrian hieroglyphic inscription
Unrecorded maker
ca. 676–672 BCE · Clay
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mud Brick Stamped with the Name of Paser, the Vizier of Seti I and Ramesses II
Unrecorded maker
ca. 1300–1200 BCE · Mud
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mud Brick Stamped with the Name of Paser, the Vizier of Seti I and Ramesses II
Unrecorded maker
ca. 1300–1200 BCE · Mud
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Brick stamped with the cartouches of the High Priest of Amun, Menkheperre
Unrecorded maker
ca. 1058–1008 BCE · Mud
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.