Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    369 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    434 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 465 matching records exist across the two collections.

Results for "Brick fragment with the head of an ibex"12 records

Institutions answered newest-first by record, interleaved

Ibex by an unrecorded maker, The Metropolitan Museum of Art

Ibex

Unrecorded maker

ca. 1386–1347 BCE · Mottled semi-translucent quartz

Cleared · Public Domain

live
The MetSimilar
Brick fragment with a guilloche design by an unrecorded maker, The Metropolitan Museum of Art

Brick fragment with a guilloche design

Unrecorded maker

ca. 9th century BCE · Ceramic, glaze

Cleared · Public Domain

live
The MetSimilar
Brick fragment with the head of an ibex by an unrecorded maker, The Metropolitan Museum of Art

Brick fragment with the head of an ibex

Unrecorded maker

ca. 9th century BCE · Ceramic, glaze

Cleared · Public Domain

live
The MetSimilar
Rhyton in the shape of an ibex by an unrecorded maker, The Metropolitan Museum of Art

Rhyton in the shape of an ibex

Unrecorded maker

ca. 500 BCE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Earring with ibex head by an unrecorded maker, The Metropolitan Museum of Art

Earring with ibex head

Unrecorded maker

4th–3rd century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Earrings with ibex head terminal by an unrecorded maker, The Metropolitan Museum of Art

Earrings with ibex head terminal

Unrecorded maker

4th–3rd century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Earrings with ibex head terminal by an unrecorded maker, The Metropolitan Museum of Art

Earrings with ibex head terminal

Unrecorded maker

4th–3rd century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Earring with head of ibex by an unrecorded maker, The Metropolitan Museum of Art

Earring with head of ibex

Unrecorded maker

3rd–2nd century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Earring with head of ibex by an unrecorded maker, The Metropolitan Museum of Art

Earring with head of ibex

Unrecorded maker

3rd–2nd century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Earrings with ibex head terminal by an unrecorded maker, The Metropolitan Museum of Art

Earrings with ibex head terminal

Unrecorded maker

perhaps 2nd century BCE · Gold

Cleared · Public Domain

live
The MetSimilar
Ibex-head earrings by an unrecorded maker, The Metropolitan Museum of Art

Ibex-head earrings

Unrecorded maker

2nd–1st century BCE · Gold; carnelian

Cleared · Public Domain

live
The MetSimilar
Ibex or Gazelle, Block Print by an unrecorded maker, The Metropolitan Museum of Art

Ibex or Gazelle, Block Print

Unrecorded maker

13th or 14th century · Ink and white pigment on paper

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.