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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    522 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    655 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 24 matching records exist across the two collections.

Results for "Bridge at Blenheim Palace (recto); York"12 records

Institutions answered newest-first by record, interleaved

The Head of the Virgin in Three-Quarter View Facing Right by Leonardo da Vinci, The Metropolitan Museum of Art

The Head of the Virgin in Three-Quarter View Facing Right

Leonardo da Vinci (d. 1519)

1510–13 · Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)

Cleared · Public Domain

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The MetSimilar
Serpent labret with articulated tongue by Mexica artist(s), The Metropolitan Museum of Art

Serpent labret with articulated tongue

Mexica artist(s)

1325–1521 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Sheet after Roman relief decorations from objects in the Collection of Cardinal Bruto della Valle: Friezes from Roman Sarcophagi with Dyonisus (verso); Marble Funerary Relief of Lucius Antistius Sarculo and his wife Antistia Plutia (recto) by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Sheet after Roman relief decorations from objects in the Collection of Cardinal Bruto della Valle: Friezes from Roman Sarcophagi with Dyonisus (verso); Marble Funerary Relief of Lucius Antistius Sarculo and his wife Antistia Plutia (recto)

Anonymous, Italian, 16th century (d. 1600)

1534–84 · Pencil and ink

Cleared · Public Domain

live
The MetSimilar
Temperance by Giovanni Caccini, The Metropolitan Museum of Art

Temperance

Giovanni Caccini (d. 1613)

1583–84 · Marble

Cleared · Public Domain

live
The MetSimilar
Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Armchair (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Armchair (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Settee (canapé) (part of a set) by Nicolas-Quinibert Foliot, The Metropolitan Museum of Art

Settee (canapé) (part of a set)

Nicolas-Quinibert Foliot (d. 1776)

ca. 1754–56 · Carved and gilded beech; wool and silk tapestry

Cleared · Public Domain

live
The MetSimilar
Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso) by Hubert Robert, The Metropolitan Museum of Art

Study for a Triumphal Arch (recto); Alternate Study for a Triumphal Arch (verso)

Hubert Robert (d. 1808)

ca. 1800 · Black chalk

Cleared · Public Domain

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The MetSimilar
Bridge at Blenheim Palace (recto); York Cathedral (verso) by Hubert Cornish, The Metropolitan Museum of Art

Bridge at Blenheim Palace (recto); York Cathedral (verso)

Hubert Cornish (d. 1832)

1780–1832 · Watercolor and gouache (bodycolor) over graphite

Cleared · Public Domain

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The MetSimilar
Pocket chronometer by François Czapek, The Metropolitan Museum of Art

Pocket chronometer

François Czapek (d. 1911)

ca. 1850–55 · Case: partly enameled gold; Dial: white enamel with gold hands; Movement: gilded brass and steel

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (recto); Study for Hercules Holding a Club Seen in Rear View (verso)

Leonardo da Vinci (d. 1519)

ca. 1506–8 · Pen and brown ink; soft black chalk or charcoal (recto); soft black chalk or charcoal (verso)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Jabez Hogg (d. 1899)

1886–91 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

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