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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    237 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    321 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 117 matching records exist across the two collections.

Results for "Bronze bit"12 records

Institutions answered newest-first by record, interleaved

Bronze bit by an unrecorded maker, The Metropolitan Museum of Art

Bronze bit

Unrecorded maker

early 1st millennium BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Horse Bit with Winged Ibex Cheekpieces by an unrecorded maker, The Cleveland Museum of Art

Horse Bit with Winged Ibex Cheekpieces

Unrecorded maker

800–600 BCE · Sculpture, bronze, cast and incised

Cleared · CC0

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Cleveland Museum of ArtSimilar
Bronze horse bit by an unrecorded maker, The Metropolitan Museum of Art

Bronze horse bit

Unrecorded maker

ca. 725–700 BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Curb Bit by an unrecorded maker, The Cleveland Museum of Art

Curb Bit

Unrecorded maker

c. 1580–1600 · Arms and Armor, iron with gilt bronze bosses

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bronze bit by an unrecorded maker, The Metropolitan Museum of Art

Bronze bit

Unrecorded maker

ca. 600 BCE(?) · Bronze

Cleared · Public Domain

live
The MetSimilar
Master of Animals Cheekpiece by an unrecorded maker, The Cleveland Museum of Art

Master of Animals Cheekpiece

Unrecorded maker

c. 700 BCE · Metalwork, bronze, cast and incised

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bronze horse bit by an unrecorded maker, The Metropolitan Museum of Art

Bronze horse bit

Unrecorded maker

8th–7th century BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Key by an unrecorded maker, The Cleveland Museum of Art

Key

Unrecorded maker

1–100 CE · Metalwork, iron tang, bronze handle

Cleared · CC0

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Cleveland Museum of ArtSimilar
Snaffle Bit by an unrecorded maker, The Metropolitan Museum of Art

Snaffle Bit

Unrecorded maker

11th–7th century BCE · Copper alloy (bronze)

Cleared · Public Domain

live
The MetSimilar
Microscope by an unrecorded maker, The Cleveland Museum of Art

Microscope

Unrecorded maker

c. 1745– 1765 · Metalwork, gilt bronze mounts

Cleared · CC0

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Cleveland Museum of ArtSimilar
Part of a bronze bit by an unrecorded maker, The Metropolitan Museum of Art

Part of a bronze bit

Unrecorded maker

ca. 600–480 BCE · Bronze

Cleared · Public Domain

live
The MetSimilar
Horse bit with attached cheekpieces by an unrecorded maker, The Metropolitan Museum of Art

Horse bit with attached cheekpieces

Unrecorded maker

ca. 6th–4th century BCE · Bronze

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.