Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    146 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    511 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,007 matching records exist across the two collections.

Results for "Bronze bust of a Silenus"12 records

Institutions answered newest-first by record, interleaved

Bronze portrait bust of a Roman matron by an unrecorded maker, The Metropolitan Museum of Art

Bronze portrait bust of a Roman matron

Unrecorded maker

ca. 20–50 CE · Bronze

Cleared · Public Domain

live
The MetSimilar
Silenus Bust for a Couch by an unrecorded maker, The Cleveland Museum of Art

Silenus Bust for a Couch

Unrecorded maker

1–125 CE · Sculpture, bronze

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bronze portrait bust of a man by an unrecorded maker, The Metropolitan Museum of Art

Bronze portrait bust of a man

Unrecorded maker

ca. 50 BCE–54 CE · Bronze

Cleared · Public Domain

live
The MetSimilar
Bronze portrait bust of a young boy by an unrecorded maker, The Metropolitan Museum of Art

Bronze portrait bust of a young boy

Unrecorded maker

ca. 50–68 CE · Bronze, silver

Cleared · Public Domain

live
The MetSimilar
Bronze bust of Jupiter by an unrecorded maker, The Metropolitan Museum of Art

Bronze bust of Jupiter

Unrecorded maker

late 1st century BCE–1st century CE · Bronze, copper

Cleared · Public Domain

live
The MetSimilar
Bronze bust of a Silenus by an unrecorded maker, The Metropolitan Museum of Art

Bronze bust of a Silenus

Unrecorded maker

ca. 50–125 CE · Bronze

Cleared · Public Domain

live
The MetSimilar
Bronze bust of a young satyr by an unrecorded maker, The Metropolitan Museum of Art

Bronze bust of a young satyr

Unrecorded maker

first half of the 2nd century CE · Bronze, silver, copper

Cleared · Public Domain

live
The MetSimilar
Bronze portrait bust of a boy by an unrecorded maker, The Metropolitan Museum of Art

Bronze portrait bust of a boy

Unrecorded maker

late 2nd century BCE–2nd century CE · Bronze

Cleared · Public Domain

live
The MetSimilar
Bronze portrait bust of a girl by an unrecorded maker, The Metropolitan Museum of Art

Bronze portrait bust of a girl

Unrecorded maker

ca. 1st–2nd century CE · Bronze

Cleared · Public Domain

live
The MetSimilar
Bronze portrait bust of a man by an unrecorded maker, The Metropolitan Museum of Art

Bronze portrait bust of a man

Unrecorded maker

1st half of the 3rd century CE · Bronze

Cleared · Public Domain

live
The MetSimilar
Bust of a Roman by an unrecorded maker, The Metropolitan Museum of Art

Bust of a Roman

Unrecorded maker

possibly 16th century · Bronze, on a later wood socle

Cleared · Public Domain

live
The MetSimilar
Bust of a Roman by an unrecorded maker, The Metropolitan Museum of Art

Bust of a Roman

Unrecorded maker

17th century · Bronze, partially oil-gilt

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.