
Glass krateriskos (unguent jar)
Unrecorded maker
ca. 1400–1350 BCE · Glass
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
699 ms. The Metropolitan Museum of Art, Collection API (Open Access)
272 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 64 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Glass krateriskos (unguent jar)
Unrecorded maker
ca. 1400–1350 BCE · Glass
Cleared · Public Domain
live
Inscribed Base of a Royal Statue
Unrecorded maker
ca. 1300–1080 BCE · Gray porphyritic diorite
Cleared · Public Domain
live
Bronze left foot with traces of sandal straps
Unrecorded maker
1st or 2nd century A.D · Bronze
Cleared · Public Domain
live
Boy on a shell, holding a candlestick
Unrecorded maker
mid-15th century · Bronze, partially oil-gilt
Cleared · Public Domain
live
Seated Hercules in the act of shooting at the stymphalian birds
Vittore Gambello (d. 1537)
ca. 1515–20 · Bronze
Cleared · Public Domain
live
Spinario
Antonello Gagini (d. 1536)
early 16th century · Bronze
Cleared · Public Domain
live
Spinario (boy pulling a thorn from his foot)
Severo Calzetta da Ravenna (d. 1543)
first half of the 16th century? · Bronze
Cleared · Public Domain
live
Spinario (boy pulling a thorn from his foot)
Unrecorded maker
first half of the 16th century? · Bronze
Cleared · Public Domain
live
Warrior (Musketeer)
Unrecorded maker
17th century · Bronze
Cleared · Public Domain
live
Fortuna
Giambologna (d. 1608)
early 17th century · Bronze
Cleared · Public Domain
live
Corpus from a crucifix
Unrecorded maker
18th century · Bronze, fire-gilt; silver
Cleared · Public Domain
live1. Pin the work
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2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
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