Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    288 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    296 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Buddha Protected by a Seven-headed Naga"8 records

Institutions answered newest-first by record, interleaved

Coffin of the Chantress of Amun Ansenmes by an unrecorded maker, The Metropolitan Museum of Art

Coffin of the Chantress of Amun Ansenmes

Unrecorded maker

ca. 1200–945 BCE · Wood, paste, paint

Cleared · Public Domain

live
The MetSimilar
Manasa, the Snake Goddess by an unrecorded maker, The Metropolitan Museum of Art

Manasa, the Snake Goddess

Unrecorded maker

11th century · Copper sheet, repousséd and engraved, with traces of gilding

Cleared · Public Domain

live
The MetSimilar
Buddha Sheltered by a Naga by an unrecorded maker, The Metropolitan Museum of Art

Buddha Sheltered by a Naga

Unrecorded maker

12th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Buddha Protected by a Seven-headed Naga by an unrecorded maker, The Metropolitan Museum of Art

Buddha Protected by a Seven-headed Naga

Unrecorded maker

late 12th–early 13th century · Sandstone

Cleared · Public Domain

live
The MetSimilar
Naga-Protected Buddha Flanked by Avalokiteshvara and Prajnaparamita by an unrecorded maker, The Metropolitan Museum of Art

Naga-Protected Buddha Flanked by Avalokiteshvara and Prajnaparamita

Unrecorded maker

12th or 13th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Seated Buddha Protected by Naga (front), Dancing Multi-Headed Hevajra (back) by an unrecorded maker, The Metropolitan Museum of Art

Seated Buddha Protected by Naga (front), Dancing Multi-Headed Hevajra (back)

Unrecorded maker

13th century · Ivory

Cleared · Public Domain

live
The MetSimilar
Lineage Portrait of an Abbot by an unrecorded maker, The Metropolitan Museum of Art

Lineage Portrait of an Abbot

Unrecorded maker

ca. 1350 · Distemper on cloth

Cleared · Public Domain

live
The MetSimilar
Chinese Poem to Celebrate a Senior Monk’s Sixtieth Birthday by Duzhan Xingying (Japanese: Dokutan Shōkei), The Metropolitan Museum of Art

Chinese Poem to Celebrate a Senior Monk’s Sixtieth Birthday

Duzhan Xingying (Japanese: Dokutan Shōkei) (d. 1706)

late 17th–early 18th century · Hanging scroll; ink on paper

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.