![Termae Antoniane Imp. [formerly Palatium Se Lugduni], from a series depicting (reconstructed) buildings from Roman antiquity by Anonymous, Italian, 16th century, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP874916.jpg)
Termae Antoniane Imp. [formerly Palatium Se Lugduni], from a series depicting (reconstructed) buildings from Roman antiquity
Anonymous, Italian, 16th century (d. 1600)
ca. 1530–50 · Engraving
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
527 ms. The Metropolitan Museum of Art, Collection API (Open Access)
414 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,811 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
![Termae Antoniane Imp. [formerly Palatium Se Lugduni], from a series depicting (reconstructed) buildings from Roman antiquity by Anonymous, Italian, 16th century, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP874916.jpg)
Termae Antoniane Imp. [formerly Palatium Se Lugduni], from a series depicting (reconstructed) buildings from Roman antiquity
Anonymous, Italian, 16th century (d. 1600)
ca. 1530–50 · Engraving
Cleared · Public Domain
live
Architectural Brick with Dancer in Relief
Unrecorded maker
before 870 · Ceramic, molded terracotta with slip coating
Cleared · CC0
live
Building Complex
Unrecorded maker
probably 16th century · Ink, white and colored chalk on paper
Cleared · Public Domain
live
Talatat: Portrait of Nefertiti
Unrecorded maker
c. 1353–1347 BCE · Sculpture, painted sandstone
Cleared · CC0
live
Grand Parterre du Jardin de la Royne mere a Luxembourg, in "Traité du Jardinage selon les Raisons de la Nature et de l'Art"
Michel van Lochom (d. 1647)
1638 · Engraving
Cleared · Public Domain
live
Kasuga Shrine Mandala
Unrecorded maker
early 1300s · Painting, Hanging scroll; ink, color, and gold on silk
Cleared · CC0
live
Amerapoora: Part of Balcony on the South Side of Maha-oung-meeay-liy-mhan Kyoung
Linnaeus Tripe (d. 1902)
September 1–October 21, 1855 · Albumen silver print from waxed paper negative
Cleared · Public Domain
live
View from the Top of the Rock, looking over the native Town, Trichinopoly, India
Nicholas & Co. (d. 1905)
1878 · Photograph, albumen print
Cleared · CC0
live
La Prison, à Chichen-Itza
Désiré Charnay (d. 1915)
1857–89 · Albumen silver print from glass negative
Cleared · Public Domain
live
Pudhu Mandapa of Tirumal Nayak (r. 1623–59), Minakshi Sundareshvara Temple, Madurai
Captain Linnaeus Tripe (d. 1902)
1858 · Photograph, albumen print
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
New Bowery Theatre
Anonymous, American, 19th century (d. 1900)
ca. 1860 · Etching
In copyright
live
First Bank of the United States, Philadelphia
Frederick DeBourg Richards (d. 1903)
1859 · Photograph, salted paper print from wet collodion negative
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.