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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    527 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    414 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 2,811 matching records exist across the two collections.

Results for "Building Complex"12 records

Institutions answered newest-first by record, interleaved

Termae Antoniane Imp. [formerly Palatium Se Lugduni], from a series depicting (reconstructed) buildings from Roman antiquity by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Termae Antoniane Imp. [formerly Palatium Se Lugduni], from a series depicting (reconstructed) buildings from Roman antiquity

Anonymous, Italian, 16th century (d. 1600)

ca. 1530–50 · Engraving

Cleared · Public Domain

live
The MetSimilar
Architectural Brick with Dancer in Relief by an unrecorded maker, The Cleveland Museum of Art

Architectural Brick with Dancer in Relief

Unrecorded maker

before 870 · Ceramic, molded terracotta with slip coating

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Building Complex by an unrecorded maker, The Metropolitan Museum of Art

Building Complex

Unrecorded maker

probably 16th century · Ink, white and colored chalk on paper

Cleared · Public Domain

live
The MetSimilar
Talatat: Portrait of Nefertiti by an unrecorded maker, The Cleveland Museum of Art

Talatat: Portrait of Nefertiti

Unrecorded maker

c. 1353–1347 BCE · Sculpture, painted sandstone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Grand Parterre du Jardin de la Royne mere a Luxembourg, in "Traité du Jardinage selon les Raisons de la Nature et de l'Art" by Michel van Lochom, The Metropolitan Museum of Art

Grand Parterre du Jardin de la Royne mere a Luxembourg, in "Traité du Jardinage selon les Raisons de la Nature et de l'Art"

Michel van Lochom (d. 1647)

1638 · Engraving

Cleared · Public Domain

live
The MetSimilar
Kasuga Shrine Mandala by an unrecorded maker, The Cleveland Museum of Art

Kasuga Shrine Mandala

Unrecorded maker

early 1300s · Painting, Hanging scroll; ink, color, and gold on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Amerapoora: Part of Balcony on the South Side of Maha-oung-meeay-liy-mhan Kyoung by Linnaeus Tripe, The Metropolitan Museum of Art

Amerapoora: Part of Balcony on the South Side of Maha-oung-meeay-liy-mhan Kyoung

Linnaeus Tripe (d. 1902)

September 1–October 21, 1855 · Albumen silver print from waxed paper negative

Cleared · Public Domain

live
The MetSimilar
View from the Top of the Rock, looking over the native Town, Trichinopoly, India by Nicholas & Co., The Cleveland Museum of Art

View from the Top of the Rock, looking over the native Town, Trichinopoly, India

Nicholas & Co. (d. 1905)

1878 · Photograph, albumen print

Cleared · CC0

live
Cleveland Museum of ArtSimilar
La Prison, à Chichen-Itza by Désiré Charnay, The Metropolitan Museum of Art

La Prison, à Chichen-Itza

Désiré Charnay (d. 1915)

1857–89 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Pudhu Mandapa of Tirumal Nayak (r. 1623–59), Minakshi Sundareshvara Temple, Madurai by Captain Linnaeus Tripe, The Cleveland Museum of Art

Pudhu Mandapa of Tirumal Nayak (r. 1623–59), Minakshi Sundareshvara Temple, Madurai

Captain Linnaeus Tripe (d. 1902)

1858 · Photograph, albumen print

Cleared · CC0

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Cleveland Museum of ArtSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

New Bowery Theatre

Anonymous, American, 19th century (d. 1900)

ca. 1860 · Etching

In copyright

live
The MetSimilar
First Bank of the United States, Philadelphia by Frederick DeBourg Richards, The Cleveland Museum of Art

First Bank of the United States, Philadelphia

Frederick DeBourg Richards (d. 1903)

1859 · Photograph, salted paper print from wet collodion negative

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.