Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    229 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    357 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "Bullfights: A Moor Caught by a Bull in"7 records

Institutions answered newest-first by record, interleaved

A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia" by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

A Moor Caught by the Bull in the ring, plate 8 from "La Tauromaquia"

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Bullfights:  A Moor Caught by a Bull in the Ring by Francisco de Goya, The Cleveland Museum of Art

Bullfights: A Moor Caught by a Bull in the Ring

Francisco de Goya (d. 1828)

1816, printed 1876 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Plate 8 from "Tauromaquia": A moor caught by the bull in the ring by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 8 from "Tauromaquia": A moor caught by the bull in the ring

Goya (Francisco de Goya y Lucientes) (d. 1828)

ca. 1816 · Etching, burnished aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Toreador cape

Unrecorded maker

20th century · silk, metallic

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.