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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    149 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    307 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 19 matching records exist across the two collections.

Results for "Bulls Fighting"12 records

Institutions answered newest-first by record, interleaved

Bronze dagger by an unrecorded maker, The Metropolitan Museum of Art

Bronze dagger

Unrecorded maker

ca. 1600–1450 BCE · Bronze, copper, silver

Cleared · Public Domain

live
The MetSimilar
Herdboys and Buffalo in Landscape by Guo Min, The Cleveland Museum of Art

Herdboys and Buffalo in Landscape

Guo Min

1200s · Painting, Hanging scroll; ink on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ostracon with fighting bulls by an unrecorded maker, The Metropolitan Museum of Art

Ostracon with fighting bulls

Unrecorded maker

ca. 1300–1080 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Herdboys and Buffalo in Landscapes by Guo Min, The Cleveland Museum of Art

Herdboys and Buffalo in Landscapes

Guo Min

1200s · Painting, Pair of hanging scrolls; ink on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Terracotta lekythos (oil flask) by Sappho Painter, The Metropolitan Museum of Art

Terracotta lekythos (oil flask)

Sappho Painter

ca. 500 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Monkeys Riding a Camel and a Bull by Nicolaes de Bruyn, The Cleveland Museum of Art

Monkeys Riding a Camel and a Bull

Nicolaes de Bruyn (d. 1656)

1594 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Vase fragment by an unrecorded maker, The Metropolitan Museum of Art

Vase fragment

Unrecorded maker

late 1st century CE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Self-Portrait in a Cocked Hat by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Self-Portrait in a Cocked Hat

Goya (Francisco de Goya y Lucientes) (d. 1828)

ca. 1790 · Pen and brown (iron gall?) ink on paper

Cleared · Public Domain

live
The MetSimilar
The Sign of the Four Alls by Thomas Rowlandson, The Metropolitan Museum of Art

The Sign of the Four Alls

Thomas Rowlandson (d. 1827)

1810 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
The Norwich Bull Feast or Glory and Gluttony by Thomas Rowlandson, The Metropolitan Museum of Art

The Norwich Bull Feast or Glory and Gluttony

Thomas Rowlandson (d. 1827)

November 22, 1813 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, aquatint, drypoint

Cleared · Public Domain

live
The MetSimilar
Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse

Goya (Francisco de Goya y Lucientes) (d. 1828)

1816 · Etching, burnished aquatint

Cleared · Public Domain

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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