Serpent labret with articulated tongue
Mexica artist(s)
1325–1521 CE · Gold
Cleared · Public Domain
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Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
245 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
499 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5 matching records exist across the two collections.
Results for "Bun’ya no Asayasu (no. 36), from the ser"5 records
Institutions answered newest-first by record, interleaved
Wig cabinet (cabinet de coiffure)
Johann Daniel Sommer II (d. 1698)
ca. 1685 · Oak and walnut veneered with ebony, ebonized wood, and marquetry of pewter, mother of pearl, and tortoiseshell colored red on the reverse; silver; brocaded damask (not original)
Cleared · Public Domain
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Commode
Jean François Cuvilliés the Elder (d. 1768)
ca. 1735–40 · Pine and linden wood; carved, partially painted, and gilded gesso, partly incised; Tegernsee limestone top
Cleared · Public Domain
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Bun’ya no Asayasu (no. 36), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Bun'ya no Asayasu)
Utagawa Kunisada (d. 1864)
ca. 1844 · Woodblock print (nishiki-e); vertical ōban; ink and color on paper
Cleared · Public Domain
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Mibu no Tadamine (no. 37), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Mibu no Tadamine)
Utagawa Kunisada (d. 1864)
ca. 1844 · Woodblock print (nishiki-e); vertical oban; ink and color on paper
Cleared · Public Domain
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