Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    384 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    405 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 994 matching records exist across the two collections.

Results for "Burning of a Port"12 records

Institutions answered newest-first by record, interleaved

Burning of a corpse by Antonio Fantuzzi, The Metropolitan Museum of Art

Burning of a corpse

Antonio Fantuzzi (d. 1545)

1540–45 · Etching

Cleared · Public Domain

live
The MetSimilar
The Fourth King of Hell by an unrecorded maker, The Cleveland Museum of Art

The Fourth King of Hell

Unrecorded maker

late 1300s · Painting, Hanging scroll; ink, color, and gold ink on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Burning of a Corpse by Antonio Fantuzzi, The Metropolitan Museum of Art

Burning of a Corpse

Antonio Fantuzzi (d. 1545)

ca. 1543 · Etching

Cleared · Public Domain

live
The MetSimilar
Burning of a Port by Joseph Vernet, The Metropolitan Museum of Art

Burning of a Port

Joseph Vernet (d. 1789)

ca. 1760–80 · Engraving; second state of two

Cleared · Public Domain

live
The MetSimilar
View of a Natural Port by Antoine Benoist, The Metropolitan Museum of Art

View of a Natural Port

Antoine Benoist (d. 1770)

1736–70 · Engraving

Cleared · Public Domain

live
The MetSimilar
Interior of a Port by Eugène Isabey, The Metropolitan Museum of Art

Interior of a Port

Eugène Isabey (d. 1886)

1833 · Lithograph in black; first state of three

Cleared · Public Domain

live
The MetSimilar
Returning to the Port by Eugène Isabey, The Metropolitan Museum of Art

Returning to the Port

Eugène Isabey (d. 1886)

1833 · Lithograph in black; first state of two

Cleared · Public Domain

live
The MetSimilar
A Woman Burning Weeds by Jean-François Millet, The Metropolitan Museum of Art

A Woman Burning Weeds

Jean-François Millet (d. 1875)

1830–75 · Pen and brown (iron gall) ink, watercolor and wash over graphite on laid paper

Cleared · Public Domain

live
The MetSimilar
Burning Weeds by Vincent van Gogh, The Metropolitan Museum of Art

Burning Weeds

Vincent van Gogh (d. 1890)

mid-July, 1883 · Transfer lithograph with pen and ink

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Burning of a Cadaver

Antonio Fantuzzi (d. 1545)

1540–45 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Any Port in a Storm

Thomas B. Worth (d. 1917)

1884 · Lithograph, hand-colored with gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A French Port (Bordeaux)

Christopher Richard Wynne Nevinson (d. 1946)

1922 · Etching

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.