
Burning of a corpse
Antonio Fantuzzi (d. 1545)
1540–45 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
384 ms. The Metropolitan Museum of Art, Collection API (Open Access)
405 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 994 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Burning of a corpse
Antonio Fantuzzi (d. 1545)
1540–45 · Etching
Cleared · Public Domain
live
The Fourth King of Hell
Unrecorded maker
late 1300s · Painting, Hanging scroll; ink, color, and gold ink on silk
Cleared · CC0
live
Burning of a Corpse
Antonio Fantuzzi (d. 1545)
ca. 1543 · Etching
Cleared · Public Domain
live
Burning of a Port
Joseph Vernet (d. 1789)
ca. 1760–80 · Engraving; second state of two
Cleared · Public Domain
live
View of a Natural Port
Antoine Benoist (d. 1770)
1736–70 · Engraving
Cleared · Public Domain
live
Interior of a Port
Eugène Isabey (d. 1886)
1833 · Lithograph in black; first state of three
Cleared · Public Domain
live
Returning to the Port
Eugène Isabey (d. 1886)
1833 · Lithograph in black; first state of two
Cleared · Public Domain
live
A Woman Burning Weeds
Jean-François Millet (d. 1875)
1830–75 · Pen and brown (iron gall) ink, watercolor and wash over graphite on laid paper
Cleared · Public Domain
live
Burning Weeds
Vincent van Gogh (d. 1890)
mid-July, 1883 · Transfer lithograph with pen and ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Burning of a Cadaver
Antonio Fantuzzi (d. 1545)
1540–45 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Any Port in a Storm
Thomas B. Worth (d. 1917)
1884 · Lithograph, hand-colored with gum arabic
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A French Port (Bordeaux)
Christopher Richard Wynne Nevinson (d. 1946)
1922 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.