
Henry Clay
Savinien Edme Dubourjal (d. 1865)
ca. 1845 · Watercolor on ivory
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
260 ms. The Metropolitan Museum of Art, Collection API (Open Access)
477 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,629 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Henry Clay
Savinien Edme Dubourjal (d. 1865)
ca. 1845 · Watercolor on ivory
Cleared · Public Domain
live
Henry Clay
Shobal Vail Clevenger (d. 1843)
1837; carved ca. 1841–46 · Marble
Cleared · Public Domain
live
Same Old Coon (Henry Clay), from "The Comic Natural History of the Human Race"
Henry Louis Stephens (d. 1882)
1851 · Color lithograph with watercolor and gum
Cleared · Public Domain
live
Henry Clay
Thomas Ball (d. 1911)
1858 · Bronze
Cleared · Public Domain
live
Burning of the Sidewheeler Henry Clay
Unrecorded maker
ca. 1854–60 · Oil on canvas
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Burning of the American Theater, Bowery, between Two & Three o'clock on Sunday Morning, February 18th, 1838, the Third Conflagration
Henry R. Robinson (d. 1850)
1838 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Burning of the Bowery Theatre, on the evening of the 25th April, 1845
Henry R. Robinson (d. 1850)
1845 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Henry Clay (The Gallery of Illustrious Americans)
Francis d' Avignon (d. 1861)
1850 · Lithograph after a daguerreotype
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Funeral Procession of the Hon. Henry Clay, in New York
John Reuben Chapin (d. 1894)
August 14, 1852 · Wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The American in Europe: being "guesses" and "calculations" on men and manners; made during a tour through ... Europe
Henry Clay Crockett (d. 1900)
[1854] (?) · Illustrations: engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ornament from the Scoville Building, Chicago
Louis Henry Sullivan (d. 1924)
1884 · Terracotta
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ornament from the Scoville Building, Chicago
Louis Henry Sullivan (d. 1924)
1884 · Terracotta
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.