Terracotta bust of a woman
Unrecorded maker
3rd–2nd century BCE · Terracotta
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
992 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
319 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 652 matching records exist across the two collections.
Results for "Bust of a woman flanked by three women o"12 records
Institutions answered newest-first by record, interleaved
Glass medallion with the bust of a woman or goddess
Unrecorded maker
1st century CE · Glass
Cleared · Public Domain
liveThe MetSimilar
Limestone funerary bust of a woman
Unrecorded maker
100 · Limestone
Cleared · Public Domain
liveThe MetSimilar
Marble portrait bust of a woman
Unrecorded maker
ca. 155–165 CE · Marble
Cleared · Public Domain
liveThe MetSimilar
Marble portrait bust of a woman
Unrecorded maker
ca. 193–211 CE · Marble
Cleared · Public Domain
liveThe MetSimilar
Bone hairpin with bust of a woman
Unrecorded maker
2nd–3rd century CE · Bone
Cleared · Public Domain
liveThe MetSimilar
Study of a Young Woman in Three-quarter Bust-Length
Bronzino (Agnolo di Cosimo di Mariano) (d. 1572)
ca. 1540–42 · Black chalk
Cleared · Public Domain
liveThe MetSimilar
Bust of a woman flanked by three women on each side, set within an elaborate frame
Battista Angolo del Moro (d. 1573)
ca. 1540–80 · Etching
Cleared · Public Domain
liveThe MetSimilar
Antique bust of a woman
Wenceslaus Hollar (d. 1677)
1645 · Etching; first state of two
Cleared · Public Domain
liveThe MetSimilar
Bust of a young woman
Jean-Pierre Dantan (d. 1869)
1836 · Marble
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Nightmare in the Sleeping Car: "Oh, I Was S-o-o Dry!" Chorus, -- "Dry Up and Bust."
Thomas B. Worth (d. 1917)
1875 · Hand-colored ithograph, with touches of gum arabic
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Nightmare in the Sleeping Car: "Oh, I Was S-o-o Dry!" Chorus, -- "Dry Up and Bust."
Thomas B. Worth (d. 1917)
1875 · Hand-colored ithograph, with touches of gum arabic
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.