Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    437 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    439 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 18 matching records exist across the two collections.

Results for "Bust portrait of Philip Rubens, in a nic"12 records

Institutions answered newest-first by record, interleaved

Marble bust of a woman by an unrecorded maker, The Metropolitan Museum of Art

Marble bust of a woman

Unrecorded maker

mid–3rd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Portrait of Albert, Archduke of Austria, Sovereign of the Southern Netherlands by Jan Muller, The Metropolitan Museum of Art

Portrait of Albert, Archduke of Austria, Sovereign of the Southern Netherlands

Jan Muller (d. 1628)

1615 · Engraving; New Holl.'s fourth state of four

Cleared · Public Domain

live
The MetSimilar
Portrait of the Infanta Isabella Clara Eugenia, Sovereign of the Southern Netherlands by Jan Muller, The Metropolitan Museum of Art

Portrait of the Infanta Isabella Clara Eugenia, Sovereign of the Southern Netherlands

Jan Muller (d. 1628)

1615 · Engraving; New Holl.'s fourth state of four

Cleared · Public Domain

live
The MetSimilar
Bust of Pseudo-Seneca by Peter Paul Rubens, The Metropolitan Museum of Art

Bust of Pseudo-Seneca

Peter Paul Rubens (d. 1640)

1600–1626 · Pen and brown ink over black chalk heightened with white, with brush and gray ink

Cleared · Public Domain

live
The MetSimilar
Bit Boss by an unrecorded maker, The Metropolitan Museum of Art

Bit Boss

Unrecorded maker

late 16th–17th century · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Peter Paul Rubens (Petrus Paulus Rubenius) by Wenceslaus Hollar, The Metropolitan Museum of Art

Peter Paul Rubens (Petrus Paulus Rubenius)

Wenceslaus Hollar (d. 1677)

1644–52 · Etching; second state of two (NH)

Cleared · Public Domain

live
The MetSimilar
Philipp Herbert, Earl of Pembroke by Wenceslaus Hollar, The Metropolitan Museum of Art

Philipp Herbert, Earl of Pembroke

Wenceslaus Hollar (d. 1677)

1625–77 · Etching, forth state of four

Cleared · Public Domain

live
The MetSimilar
Bust portrait of Philip Rubens, in a niche by Cornelis Galle II, The Metropolitan Museum of Art

Bust portrait of Philip Rubens, in a niche

Cornelis Galle II (d. 1678)

ca. 1627–78 · Engraving; second state of two (Hollstein)

Cleared · Public Domain

live
The MetSimilar
Watch with portrait of Friedrick Wilhelm, the Great Elector by Johann G. Racine, The Metropolitan Museum of Art

Watch with portrait of Friedrick Wilhelm, the Great Elector

Johann G. Racine (d. 1748)

case ca. 1688, movement ca. 1750 · Case: painted enamel on gold; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Major General Philip Kearny by Henry Kirke Brown, The Metropolitan Museum of Art

Major General Philip Kearny

Henry Kirke Brown (d. 1886)

1872, cast 1900 · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Rubens with his Wife and Child

James McArdell (d. 1765)

1740–65 · Mezzotint; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A View of Cooke's Tomb in St. Paul's Churchyard, New York

John Rubens Smith (d. 1849)

1821 · Aquatint with some engraving on off-white wove paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.