Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    294 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    424 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 65 matching records exist across the two collections.

Results for "Bust portrait of Pope Pius V in profile"12 records

Institutions answered newest-first by record, interleaved

Gold aureus of Antoninus Pius by an unrecorded maker, The Metropolitan Museum of Art

Gold aureus of Antoninus Pius

Unrecorded maker

141 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Emperor Antoninus Pius by Antico (Pier Jacopo Alari Bonacolsi), The Metropolitan Museum of Art

Emperor Antoninus Pius

Antico (Pier Jacopo Alari Bonacolsi) (d. 1528)

1519–24 · Bronze, partially oil-gilt, silver inlay, on serpentinite socle

Cleared · Public Domain

live
The MetSimilar
Cardinal Fabio Mignanelli by Giovanni Zacchi, The Metropolitan Museum of Art

Cardinal Fabio Mignanelli

Giovanni Zacchi (d. 1565)

ca. 1551–57 · Gilt silver

Cleared · Public Domain

live
The MetSimilar
Bust portrait of Pope Pius V in profile facing left set within an elaborate architectural structure upon which sit allegorical figures including Faith, Charity and Religion above and Justice and Prudence below who flank St Michael by Mario Cartaro, The Metropolitan Museum of Art

Bust portrait of Pope Pius V in profile facing left set within an elaborate architectural structure upon which sit allegorical figures including Faith, Charity and Religion above and Justice and Prudence below who flank St Michael

Mario Cartaro (d. 1620)

1567 · Engraving

Cleared · Public Domain

live
The MetSimilar
Cardinal Scipione Borghese (1577–1633) by Giuliano Finelli, The Metropolitan Museum of Art

Cardinal Scipione Borghese (1577–1633)

Giuliano Finelli (d. 1653)

1631–32 · Marble

Cleared · Public Domain

live
The MetSimilar
Pope Innocent X by Alessandro Algardi, The Metropolitan Museum of Art

Pope Innocent X

Alessandro Algardi (d. 1654)

ca. 1690 · Bronze, on a later plinth

Cleared · Public Domain

live
The MetSimilar
Saint Pius V by Angelo de Rossi, The Metropolitan Museum of Art

Saint Pius V

Angelo de Rossi (d. 1715)

early 18th century · Bronze, fire-gilt

Cleared · Public Domain

live
The MetSimilar
Portrait of the Princes Camillo and Francesco Borghese by Giuseppe Cades, The Metropolitan Museum of Art

Portrait of the Princes Camillo and Francesco Borghese

Giuseppe Cades (d. 1799)

1778 · Red and black chalk, stumped; heightened with white

Cleared · Public Domain

live
The MetSimilar
Reconstruction and Re-consecration of the Basilica of Saint Paul Outside the Walls under Pope Pius IX by Giuseppe Bianchi, The Metropolitan Museum of Art

Reconstruction and Re-consecration of the Basilica of Saint Paul Outside the Walls under Pope Pius IX

Giuseppe Bianchi (d. 1877)

1865 · Bronze

Cleared · Public Domain

live
The MetSimilar
Pope Pius IX (1792-1878, reigned from 1848) by A. Latry et Cie., The Metropolitan Museum of Art

Pope Pius IX (1792-1878, reigned from 1848)

A. Latry et Cie. (d. 1898)

early 1870s · Bois durci (pressed sawdust)

Cleared · Public Domain

live
The MetSimilar
Ottavio Farnese, Duke of Parma and Piacenza by Pastorino di Giovan Michele de' Pastorini, The Metropolitan Museum of Art

Ottavio Farnese, Duke of Parma and Piacenza

Pastorino di Giovan Michele de' Pastorini (d. 1592)

19th or early 20th century · Bronze on green marble base

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait bust of Pope Leo X in profile

Marcantonio Raimondi (d. 1534)

ca. 1500–34 · Engraving; only state

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.