
Cuneiform prism describing the restoration of Babylon by Esarhaddon, stamped with Assyrian hieroglyphic inscription
Unrecorded maker
ca. 676–672 BCE · Clay
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
253 ms. The Metropolitan Museum of Art, Collection API (Open Access)
406 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,973 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cuneiform prism describing the restoration of Babylon by Esarhaddon, stamped with Assyrian hieroglyphic inscription
Unrecorded maker
ca. 676–672 BCE · Clay
Cleared · Public Domain
live
The Whore of Babylon, from "The Apocalypse"
Albrecht Dürer (d. 1528)
1498 · Woodcut
Cleared · Public Domain
live
Narrative of a Journey to the Site of Babylon in 1811... Edited by His Widow
Unrecorded maker
1839 · Paper, board, leather
Cleared · Public Domain
live
By the Rivers of Babylon, from "Dalziels' Bible Gallery"
Sir Edward John Poynter (d. 1919)
1865–81 · Wood engraving on India paper, mounted on thin card
Cleared · Public Domain
live
Eliezer and Rebekah at the Well, from "Dalziels' Bible Gallery"
William Holman Hunt (d. 1910)
1863–81 · Wood engraving on India paper, mounted on thin card.
Cleared · Public Domain
live
Hosannah!, from "Dalziels' Bible Gallery"
Simeon Solomon (d. 1905)
1863–81 · Wood engraving on India paper, mounted on thin card
Cleared · Public Domain
live
The Infant Moses, from "Dalziels' Bible Gallery"
Simeon Solomon (d. 1905)
1863–81 · Wood engraving on India paper, mounted on thin card
Cleared · Public Domain
live
Dish: The Walls and Hanging Gardens of Babylon
Unrecorded maker
1898 · Porcelain
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dalziels' Bible Gallery: Illustrations from the Old Testament
Dalziel Brothers (d. 1893)
1881 · Illustrations: wood engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stones
Larry Rivers (d. 2002)
1957–59 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Last Civil War Veteran
Larry Rivers (d. 2002)
1960 · Oil and charcoal on canvas
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Untitled, from the "New York Collection for Stockholm"
Larry Rivers (d. 2002)
1973 · Four-color screenprint and lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.