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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    406 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    364 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 9 matching records exist across the two collections.

Results for "Cadmus Tilling the Field Where He Sawed"9 records

Institutions answered newest-first by record, interleaved

Cadmus Tilling the Field Where He Sawed the Dragon's Teeth by Antonio Fantuzzi, The Metropolitan Museum of Art

Cadmus Tilling the Field Where He Sawed the Dragon's Teeth

Antonio Fantuzzi (d. 1545)

1540–45 · Etching

Cleared · Public Domain

live
The MetSimilar
Sampler by Laura Hyde, The Metropolitan Museum of Art

Sampler

Laura Hyde (d. 1857)

1800 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Girl in a Straw Bonnet by Albert-Ernest Carrier-Belleuse, The Metropolitan Museum of Art

Girl in a Straw Bonnet

Albert-Ernest Carrier-Belleuse (d. 1887)

ca. 1868–70 · Terracotta with wood base

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Comus. A Mask

John Milton (d. 1674)

1858 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dinner Time, Gatun Lock

Joseph Pennell (d. 1926)

1912 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Violin and Engraving

Juan Gris (d. 1927)

1913 · Oil, sand, collage on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Komachi’s Residence

Kawabata Ryūshi 川端龍子 (d. 1966)

1918 · Hanging scroll; ink and color on silk

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cigarette No. 78, New York

Irving Penn (d. 2009)

1972, printed May 1975 · Platinum-palladium print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cut Up

Lee Ufan (d. 9999)

1972 · Wood

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.