
Left side of a double-page album folio: Outside a Royal Encampment (recto) and Calligraphy, Persian Verses (verso)
Bihzad (d. 1506)
c. 1485 · Manuscript, opaque watercolor, ink, and gold on paper
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
537 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 67 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Left side of a double-page album folio: Outside a Royal Encampment (recto) and Calligraphy, Persian Verses (verso)
Bihzad (d. 1506)
c. 1485 · Manuscript, opaque watercolor, ink, and gold on paper
Cleared · CC0
live
Calligraphy
Basavana (d. 1600)
c. 1596 · Calligraphy, Gum tempera, ink, and gold on paper
Cleared · CC0
live
Calligraphy, Persian Verses (verso)
Unrecorded maker
1400s · Manuscript, Opaque watercolor, ink, and gold on paper
Cleared · CC0
live
Calligraphy of Lyrical Quatrains (verso)
Unrecorded maker
mid-1700s · Calligraphy, Gum tempera, ink, and gold on paper
Cleared · CC0
live
Qur'an Manuscript Folio (verso)
Unrecorded maker
1300s · Drawing, ink, gold, and colors on paper
Cleared · CC0
live
A night scene of Shiva puja (recto); Calligraphy (verso)
Muhammad Rizavi Hindi
c. 1760–70 · Painting, Gum tempera and gold on paper
Cleared · CC0
live
Calligraphic exercises and verses of Hafiz (Persian, about 1325–1389) (verso)
Mahmud ibn Ishaq al-Shahabi
1575–76 · Calligraphy, Gum tempera, ink, and gold on paper
Cleared · CC0
live
Court Lady Pouring Wine (recto); Calligraphy of Lyrical Quatrains (verso)
Unrecorded maker
c. 1760; borders mid-1700s · Painting, Gum tempera, ink, and gold on paper
Cleared · CC0
live
A princess on a terrace with attendants at night (recto); Calligraphy (verso)
Unrecorded maker
c. 1760 · Painting, Gum tempera, ink, and gold on paper
Cleared · CC0
live
Calligraphy (verso)
Unrecorded maker
c. 1640–60 · Painting, Gum tempera, ink, and gold on paper
Cleared · CC0
live
Eight Lines of Musical Poetry of the Jajner Nauras (Rag Bhairav) of Ibrahim Adil Shah of Bijapur (verso)
Unrecorded maker
late 1600s · Calligraphy, Gum tempera, ink, and gold on paper
Cleared · CC0
live
Posthumous portrait of Emperor Jahangir under a canopy (recto); Calligraphy (verso)
Unrecorded maker
c. 1650 · Painting, Gum tempera, ink, and gold on paper
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.