Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    392 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    471 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 90 matching records exist across the two collections.

Results for "Callot figures; a dwarf man playing the"12 records

Institutions answered newest-first by record, interleaved

L'Homme au Ventre Tombant et au Chapeau Très Élevé (The Man with a Drooping Belly and a Very Tall Hat), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs) by Jacques Callot, The Metropolitan Museum of Art

L'Homme au Ventre Tombant et au Chapeau Très Élevé (The Man with a Drooping Belly and a Very Tall Hat), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)

Jacques Callot (d. 1635)

1616–22 · Etching and engraving; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
L'Homme Raclant un Gril en Guise de Violon (Man Scraping a Grill in the Guise of a Violin), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs) by Jacques Callot, The Metropolitan Museum of Art

L'Homme Raclant un Gril en Guise de Violon (Man Scraping a Grill in the Guise of a Violin), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)

Jacques Callot (d. 1635)

1616–22 · Etching and engraving; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
L'Homme S'Apprêtant a Tirer son Sabre (Man Preparing to Draw his Sword), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs) by Jacques Callot, The Metropolitan Museum of Art

L'Homme S'Apprêtant a Tirer son Sabre (Man Preparing to Draw his Sword), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)

Jacques Callot (d. 1635)

1616–22 · Etching; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Le Bancal Jouant de La Guitar (The Bandy-Legged Man Playing the Guitar), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs) by Jacques Callot, The Metropolitan Museum of Art

Le Bancal Jouant de La Guitar (The Bandy-Legged Man Playing the Guitar), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)

Jacques Callot (d. 1635)

1616–22 · Etching and engraving; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Callot figures; a dwarf man playing the drum at left, a beefeater in center, a flute player to right, from "Six grotesques" (Six pièces de figures grotesques) by Agostino Mitelli II, The Metropolitan Museum of Art

Callot figures; a dwarf man playing the drum at left, a beefeater in center, a flute player to right, from "Six grotesques" (Six pièces de figures grotesques)

Agostino Mitelli II (d. 1696)

1684 · Etching

Cleared · Public Domain

live
The MetSimilar
Callot figures; a dwarf man with a spear at left walking towards the right, another dwarf man with a pegleg firing a musket at right, from "Six grotesques" (Six pièces de figures grotesques) by Agostino Mitelli II, The Metropolitan Museum of Art

Callot figures; a dwarf man with a spear at left walking towards the right, another dwarf man with a pegleg firing a musket at right, from "Six grotesques" (Six pièces de figures grotesques)

Agostino Mitelli II (d. 1696)

1684 · Etching

Cleared · Public Domain

live
The MetSimilar
Callot figures; a well-dressed dwarf man to left declaring his love to an old dwarf woman to left, a dwarf man playing the guitar and a dwarf woman dancing with a tambourine to right, from Six grotesques (Six pièces de figures grotesques) by Agostino Mitelli II, The Metropolitan Museum of Art

Callot figures; a well-dressed dwarf man to left declaring his love to an old dwarf woman to left, a dwarf man playing the guitar and a dwarf woman dancing with a tambourine to right, from Six grotesques (Six pièces de figures grotesques)

Agostino Mitelli II (d. 1696)

1684 · Etching

Cleared · Public Domain

live
The MetSimilar
Callot figures; an old dwarf woman dancing with a young dwarf man to left, an old dwarf man touching the shoulder of a young, smiling dwarf woman, from "Six grotesques" (Six pièces de figures grotesques) by Agostino Mitelli II, The Metropolitan Museum of Art

Callot figures; an old dwarf woman dancing with a young dwarf man to left, an old dwarf man touching the shoulder of a young, smiling dwarf woman, from "Six grotesques" (Six pièces de figures grotesques)

Agostino Mitelli II (d. 1696)

1684 · Etching

Cleared · Public Domain

live
The MetSimilar
Dwarf (one of a pair) by Villeroy, The Metropolitan Museum of Art

Dwarf (one of a pair)

Villeroy (d. 1748)

ca. 1740–45 · Tin-glazed soft-paste porcelain decorated in polychrome enamels

Cleared · Public Domain

live
The MetSimilar
Dwarf (one of a pair) by Villeroy, The Metropolitan Museum of Art

Dwarf (one of a pair)

Villeroy (d. 1748)

ca. 1740–45 · Tin-glazed soft-paste porcelain decorated in polychrome enamels

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'Homme Raclant un Gril en Guise de Violon (Man Scraping a Grill in the Guise of a Violin), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)

Jacques Callot (d. 1635)

1616–22 · Etching and engraving; first state of two (Lieure)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Le Bancal Jouant de La Guitar (The Bandy-Legged Man Playing the Guitar), from "Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques" (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)

Jacques Callot (d. 1635)

1616–22 · Etching and engraving; first state of two (Lieure)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.