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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    147 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    318 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Camellia, Rock, and Butterfly, after Che"8 records

Institutions answered newest-first by record, interleaved

Bannerstone, Single-Notched Butterfly by an unrecorded maker, The Metropolitan Museum of Art

Bannerstone, Single-Notched Butterfly

Unrecorded maker

6000–1000 BCE · Phyllite

Cleared · Public Domain

live
The MetSimilar
The Head of the Virgin in Three-Quarter View Facing Right by Leonardo da Vinci, The Metropolitan Museum of Art

The Head of the Virgin in Three-Quarter View Facing Right

Leonardo da Vinci (d. 1519)

1510–13 · Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)

Cleared · Public Domain

live
The MetSimilar
Triton by Giambologna, The Metropolitan Museum of Art

Triton

Giambologna (d. 1608)

1590s · Bronze

Cleared · Public Domain

live
The MetSimilar
Incense Container (Kōgō) with Camellia and Mandarin Ducks by an unrecorded maker, The Metropolitan Museum of Art

Incense Container (Kōgō) with Camellia and Mandarin Ducks

Unrecorded maker

18th century · Lacquered wood with gold, silver takamaki-e, hiramaki-e, cut-out gold foil application, and coral and ivory inlay

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

Mason Jackson (d. 1903)

1865–70 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Butterfly, Bamboo, Flowers, and Rock, after Chen Hongshou

Xie Zhiliu (d. 1997)

Datable to the 1930s · Drawing; pencil and ink on tracing paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Camellia and Rock, after Chen Hongshou

Xie Zhiliu (d. 1997)

Datable to the 1930s · Drawing mounted as a hanging scroll; ink on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Camellia, Rock, and Butterfly, after Chen Hongshou

Xie Zhiliu (d. 1997)

Datable to the 1930s · Drawing mounted as a hanging scroll; ink on tracing paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.