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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    386 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    343 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 18 matching records exist across the two collections.

Results for "Camera Work, Nos. 21–24"11 records

Institutions answered newest-first by record, interleaved

Cupid holding a candle socket by an unrecorded maker, The Metropolitan Museum of Art

Cupid holding a candle socket

Unrecorded maker

early 16th century · Bronze, traces of brown lacquer patina; later marble base

Cleared · Public Domain

live
The MetSimilar
Emperor Antoninus Pius by Antico (Pier Jacopo Alari Bonacolsi), The Metropolitan Museum of Art

Emperor Antoninus Pius

Antico (Pier Jacopo Alari Bonacolsi) (d. 1528)

1519–24 · Bronze, partially oil-gilt, silver inlay, on serpentinite socle

Cleared · Public Domain

live
The MetSimilar
Astronomical table clock by Jeremias Metzger, The Metropolitan Museum of Art

Astronomical table clock

Jeremias Metzger (d. 1602)

1568 · Case and dials: gilded brass; Movement: iron

Cleared · Public Domain

live
The MetSimilar
Cardinal Scipione Borghese (1577–1633) by Giuliano Finelli, The Metropolitan Museum of Art

Cardinal Scipione Borghese (1577–1633)

Giuliano Finelli (d. 1653)

1631–32 · Marble

Cleared · Public Domain

live
The MetSimilar
Cupid bearing a quiver and a candle socket by an unrecorded maker, The Metropolitan Museum of Art

Cupid bearing a quiver and a candle socket

Unrecorded maker

mid-16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Commode by Jean François Cuvilliés the Elder, The Metropolitan Museum of Art

Commode

Jean François Cuvilliés the Elder (d. 1768)

ca. 1735–40 · Pine and linden wood; carved, partially painted, and gilded gesso, partly incised; Tegernsee limestone top

Cleared · Public Domain

live
The MetSimilar
Watch with portrait of Friedrick Wilhelm, the Great Elector by Johann G. Racine, The Metropolitan Museum of Art

Watch with portrait of Friedrick Wilhelm, the Great Elector

Johann G. Racine (d. 1748)

case ca. 1688, movement ca. 1750 · Case: painted enamel on gold; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Longcase astronomical regulator by Ferdinand Berthoud, The Metropolitan Museum of Art

Longcase astronomical regulator

Ferdinand Berthoud (d. 1807)

ca. 1768–70 · Case: oak veneered with ebony and brass, with gilt-bronze mounts; Dial: white enamel; Movement: gilded brass and steel

Cleared · Public Domain

live
The MetSimilar
Mantel clock ("Pendule Uranie") by Jean-André Lepaute, The Metropolitan Museum of Art

Mantel clock ("Pendule Uranie")

Jean-André Lepaute (d. 1789)

ca. 1764–70 · Case: patinated bronze and gilded bronze; Dial: white enamel; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Center table by Imperial Armory, Tula (south of Moscow), Russia, The Metropolitan Museum of Art

Center table

Imperial Armory, Tula (south of Moscow), Russia

ca. 1780–85 · Steel, silver, gilt copper, gilt brass, basswood; replaced mirror glass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Camera Work, Nos. 21–24

Alfred Stieglitz (d. 1946)

1908 · Printed book with photogravure illustrations.

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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