
Sea monster
Severo Calzetta da Ravenna (d. 1543)
early 16th century · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
228 ms. The Metropolitan Museum of Art, Collection API (Open Access)
384 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 33 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Sea monster
Severo Calzetta da Ravenna (d. 1543)
early 16th century · Bronze
Cleared · Public Domain
live
Camera Work: Number 11, July 1905
A. Horsley Hinton (d. 1908)
1905 · Bound Volume, photogravure
Cleared · CC0
live
Paolo Giordano II Orsini, Duke of Bracciano
Johann Jakob Kornmann (called Cormano) (d. 1700)
ca. 1632 · Bronze, partially silvered
Cleared · Public Domain
live
Pair-case watch with alarm
Adam Roumeau (d. 1698)
probably ca. 1695 · Case and dial: silver with blued-steel hand; movement: brass and steel
Cleared · Public Domain
live
Longcase clock with calendar
Daniel Delander (d. 1733)
probably ca. 1720 · Case: oak veneered with burl walnut and walnut-herringbone inlay; Dial: gilded and silvered brass; Movement: gilded brass and steel
Cleared · Public Domain
live
Fountain and basin
Meissen Manufactory (d. 9999)
ca. 1727–32 · Hard-paste porcelain decorated in polychrome enamels, gold; silver spout
Cleared · Public Domain
live
Hercules and Omphale
Vincennes Manufactory (d. 1756)
ca. 1749–50 · Soft-paste porcelain
Cleared · Public Domain
live
Botanical plate with spray of lilies
Chelsea Porcelain Manufactory (d. 1784)
ca. 1755 · Soft-paste porcelain with enamel decoration
Cleared · Public Domain
live
Abduction of a Sabine
Giambologna (d. 1608)
18th century · Bronze
Cleared · Public Domain
live
The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2
Rudolph Ackermann, London (d. 1832)
July–December 1809 · Illustrations: hand-colored etching, engraving, woodcut, and textile samples
Cleared · Public Domain
live![Pedestal [for Woman from the French Colonies] by Charles-Henri-Joseph Cordier, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/es/web-large/SF2006_112d.jpg)
Pedestal [for Woman from the French Colonies]
Charles-Henri-Joseph Cordier (d. 1905)
1861 · Red and white marble pedestal with gilt-bronze mounts and ornaments
Cleared · Public Domain
live
Woman from the French Colonies
Charles-Henri-Joseph Cordier (d. 1905)
1861 · Algerian onyx-marble, bronze, and enamel; white marble socle
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.