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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    375 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    294 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 5 matching records exist across the two collections.

Results for "Campo Santa Maria Zobenigo, Venice"5 records

Institutions answered newest-first by record, interleaved

Campo Santa Maria Zobenigo, Venice by Canaletto (Giovanni Antonio Canal), The Metropolitan Museum of Art

Campo Santa Maria Zobenigo, Venice

Canaletto (Giovanni Antonio Canal) (d. 1768)

1730s · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Grand Canal, Venice by Anonymous, 19th century, The Metropolitan Museum of Art

Grand Canal, Venice

Anonymous, 19th century (d. 1900)

second half 19th century · Graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Campo dei Frari, the Basilica di Santa Maria Gloriosa dei Frari at center, gondolas and other boats in the foreground, from 'Views of Venice' (Magnificentiores Selectioresque Urbis Venetiarum Prospectus)

Michele Marieschi (d. 1743)

1741 · Etching; first state of four (Succi)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)

John Ruskin (d. 1900)

1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old Italian Masters, I, Engraved by Timothy Cole, Japan Proofs

Timothy Cole (d. 1931)

1892 · Wood engraving on Japan paper

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.