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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    480 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    487 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 869 matching records exist across the two collections.

Results for "Canal with a Large Boat and a Bridge"12 records

Institutions answered newest-first by record, interleaved

A Mill with a Fortified Bridge, a Rowing Boat in the Foreground by Roelandt Savery, The Metropolitan Museum of Art

A Mill with a Fortified Bridge, a Rowing Boat in the Foreground

Roelandt Savery (d. 1639)

1596–1639 · Pen and brown ink; framing lines in brown ink

Cleared · Public Domain

live
The MetSimilar
Canal with a Large Boat and a Bridge by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

Canal with a Large Boat and a Bridge

Rembrandt (Rembrandt van Rijn) (d. 1669)

1650 · Etching and drypoint; second state of two

Cleared · Public Domain

live
The MetSimilar
Canal with a Boat and Ducks by Anthonie van Borssom, The Metropolitan Museum of Art

Canal with a Boat and Ducks

Anthonie van Borssom (d. 1677)

17th century · Pen and brown ink, brush and brown and blue washes

Cleared · Public Domain

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The MetSimilar
A Magnificent Pavilion by the Lagoon (recto); The Grand Canal, with the Rialto Bridge from the South (verso) by Canaletto (Giovanni Antonio Canal), The Metropolitan Museum of Art

A Magnificent Pavilion by the Lagoon (recto); The Grand Canal, with the Rialto Bridge from the South (verso)

Canaletto (Giovanni Antonio Canal) (d. 1768)

ca. 1727–29 · Pen and brown ink, over traces of graphite

Cleared · Public Domain

live
The MetSimilar
The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right by Canaletto (Giovanni Antonio Canal), The Metropolitan Museum of Art

The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right

Canaletto (Giovanni Antonio Canal) (d. 1768)

1730s · Oil on canvas

Cleared · Public Domain

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The MetSimilar
Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal) by Canaletto (Giovanni Antonio Canal), The Metropolitan Museum of Art

Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)

Canaletto (Giovanni Antonio Canal) (d. 1768)

1741 · Etching; undivided plate, only state

Cleared · Public Domain

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The MetSimilar
Imaginary View with a Tomb by the Lagoon by Canaletto (Giovanni Antonio Canal), The Metropolitan Museum of Art

Imaginary View with a Tomb by the Lagoon

Canaletto (Giovanni Antonio Canal) (d. 1768)

early 1740s · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
A Storm at Sea with a Large Ship and a Small Boat with Two Figures by Carl August Ehrensvärd, The Metropolitan Museum of Art

A Storm at Sea with a Large Ship and a Small Boat with Two Figures

Carl August Ehrensvärd (d. 1800)

1765–1800 · Pen and black ink

Cleared · Public Domain

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The MetSimilar
Upper End of the Lake Penllergare by John Dillwyn Llewelyn, The Metropolitan Museum of Art

Upper End of the Lake Penllergare

John Dillwyn Llewelyn (d. 1882)

1853–56 · Salted paper print

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)

Canaletto (Giovanni Antonio Canal) (d. 1768)

1741 · Etching; divided plate, only state (Bromberg)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Landscape with a Pilgrim at Prayer, a figure near a riverbank standing before a shrine, two fishermen in a boat at right, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)

Canaletto (Giovanni Antonio Canal) (d. 1768)

1735–46 · Etching; third state of three (Bromberg)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Canal and Bridge of SS. Apostoli, Venice

Sir Muirhead Bone (d. 1953)

1916 · Drypoint; twentieth state of twenty-six states

In copyright

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The MetSimilar

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