
Canale dei Agni Santi, Campo San Sebastiano, Venice
Andrew Fisher Bunner (d. 1897)
1885 · Black ink and graphite traces on off-white wove paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
287 ms. The Metropolitan Museum of Art, Collection API (Open Access)
249 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 167 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Canale dei Agni Santi, Campo San Sebastiano, Venice
Andrew Fisher Bunner (d. 1897)
1885 · Black ink and graphite traces on off-white wove paper
Cleared · Public Domain
live
Canale del Squero, Venice
Andrew Fisher Bunner (d. 1897)
1885 · Black ink and graphite traces on off-white wove paper
Cleared · Public Domain
live
Canale di Ponte Rossa, Venice
Andrew Fisher Bunner (d. 1897)
1885 · Black ink and graphite traces on off-white wove paper
Cleared · Public Domain
live
Venice-The Giudecca
Henri-Edmond Cross (Henri-Edmond Delacroix) (d. 1910)
1903 · Watercolor, graphite, and charcoal on heavy, white wove paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Canale Grande, Venice
B. J. O. Nordfeldt (d. 1955)
1909 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Giudecca
John Singer Sargent (d. 1925)
1913 (?) · Watercolor and graphite on off-white paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Dogana, Venice
Sir Muirhead Bone (d. 1953)
1913 · Drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Canale Giudecca, Venice
B. J. O. Nordfeldt (d. 1955)
1909 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Giudecca, Venice
Sir Muirhead Bone (d. 1953)
1915 · Drypoint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
La Giudecca
James McBey (d. 1959)
1926 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Distant Salute
James McBey (d. 1959)
1930 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Shipping in the Giudecca Canal
James McBey (d. 1959)
1930 · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.