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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    391 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    299 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 31 matching records exist across the two collections.

Results for "Candelabrum Depicting an Allegorical Fig"12 records

Institutions answered newest-first by record, interleaved

Allegory of Virtues and Vices at the Court of Charles V by Hans Daucher, The Metropolitan Museum of Art

Allegory of Virtues and Vices at the Court of Charles V

Hans Daucher (d. 1538)

ca. 1522 · Honestone (Jurassic limestone), traces of gilding

Cleared · Public Domain

live
The MetSimilar
Seated satyr with silvered eyes by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Seated satyr with silvered eyes

Andrea Briosco, called Riccio (d. 1532)

second quarter of the 16th century · Bronze, silver inlay (eyes)

Cleared · Public Domain

live
The MetSimilar
Saint Sebastian by Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa), The Metropolitan Museum of Art

Saint Sebastian

Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)

1566 · Bronze

Cleared · Public Domain

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The MetSimilar
Justice by Bartolomeo Ammanati (Ammannati), The Metropolitan Museum of Art

Justice

Bartolomeo Ammanati (Ammannati) (d. 1592)

possibly modeled ca. 1565, possibly cast late 16th century · Bronze, on a later porphyry base

Cleared · Public Domain

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The MetSimilar
Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671) by Pietro da Cortona (Pietro Berrettini), The Metropolitan Museum of Art

Design for a Thesis Print with an Allegory of Knowledge and Portrait of Cardinal Antonio Barberini the Younger (1607–1671)

Pietro da Cortona (Pietro Berrettini) (d. 1669)

ca. 1635 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown paper

Cleared · Public Domain

live
The MetSimilar
Virgin and child with angels by an unrecorded maker, The Metropolitan Museum of Art

Virgin and child with angels

Unrecorded maker

ca. 1630 · Bronze, on a later gilt base

Cleared · Public Domain

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The MetSimilar
Study for the Age of Bronze by Pietro da Cortona (Pietro Berrettini), The Metropolitan Museum of Art

Study for the Age of Bronze

Pietro da Cortona (Pietro Berrettini) (d. 1669)

1637 · Pen and brown ink, brush and brown wash, over black chalk

Cleared · Public Domain

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The MetSimilar
The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura') by Pietro da Cortona (Pietro Berrettini), The Metropolitan Museum of Art

The Triumph of Nature Over Art (design for an engraving of 'De Florum Cultura')

Pietro da Cortona (Pietro Berrettini) (d. 1669)

ca. 1633 · Pen and brown ink, brush and brown wash, over black chalk

Cleared · Public Domain

live
The MetSimilar
Hercules and Omphale by Vincennes Manufactory, The Metropolitan Museum of Art

Hercules and Omphale

Vincennes Manufactory (d. 1756)

ca. 1749–50 · Soft-paste porcelain

Cleared · Public Domain

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The MetSimilar
Allegory of History, with Time by Vittorio Maria Bigari, The Metropolitan Museum of Art

Allegory of History, with Time

Vittorio Maria Bigari (d. 1776)

1761 · Black chalk, stumped, highlighted with white chalk, on dark blue paper

Cleared · Public Domain

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The MetSimilar
Ceres by Girolamo Campagna, The Metropolitan Museum of Art

Ceres

Girolamo Campagna (d. 1625)

possibly 17th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Cabinet by Melchior Baumgartner, The Metropolitan Museum of Art

Cabinet

Melchior Baumgartner

ca. 1655–59, engraved decorations ca. 1825–50 · Oak, pine, walnut, cedar, ebony, and rosewood; ivory veneer and silver veneer; silver; silver-gilt moldings; gilded yellow-metal mounts; the drawers lined with aquamarine-colored silk

Cleared · Public Domain

live
The MetSimilar

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