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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    210 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    315 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 105 matching records exist across the two collections.

Results for "Cannon Rock"12 records

Institutions answered newest-first by record, interleaved

The Temptation of St. Anthony by Jacques Callot, The Metropolitan Museum of Art

The Temptation of St. Anthony

Jacques Callot (d. 1635)

1635 · Etching; third state of five (Lieure)

Cleared · Public Domain

live
The MetSimilar
Hunting with falcons in a landscape (recto) by Abd al-Samad, The Cleveland Museum of Art

Hunting with falcons in a landscape (recto)

Abd al-Samad (d. 1600)

c. 1558–60; borders added probably 1700s · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
A Seated White Sailor; A Standing Black Sailor by Stefano della Bella, The Metropolitan Museum of Art

A Seated White Sailor; A Standing Black Sailor

Stefano della Bella (d. 1664)

ca. 1660 · Etching; first state of two

Cleared · Public Domain

live
The MetSimilar
Lovers parting, page from a book of fables by an unrecorded maker, The Cleveland Museum of Art

Lovers parting, page from a book of fables

Unrecorded maker

c. 1590–95 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Battle of Tonguzluq by Augustin de Saint-Aubin, The Metropolitan Museum of Art

The Battle of Tonguzluq

Augustin de Saint-Aubin (d. 1807)

1773 · Etching and engraving

Cleared · Public Domain

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The MetSimilar
Layla and Majnun in the wilderness with animals, from a Khamsa (Quintet) of Amir Khusrau Dihlavi by Sanwalah, The Cleveland Museum of Art

Layla and Majnun in the wilderness with animals, from a Khamsa (Quintet) of Amir Khusrau Dihlavi

Sanwalah (d. 1600)

c. 1590–1600 · Painting, Gum tempera, ink, and gold on paper

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Putto as Mercury (one of three figures) by Nymphenburg Porcelain Manufactory, The Metropolitan Museum of Art

Putto as Mercury (one of three figures)

Nymphenburg Porcelain Manufactory (d. 9999)

ca. 1770 · Hard-paste porcelain

Cleared · Public Domain

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The MetSimilar
Lovers Parting, Page from a Book of Fables by an unrecorded maker, The Cleveland Museum of Art

Lovers Parting, Page from a Book of Fables

Unrecorded maker

c. 1590–95 · Painting, Gum tempera and gold on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Forges of Vulcan, from Book of Cartouches by Johann Georg Hertel, The Metropolitan Museum of Art

The Forges of Vulcan, from Book of Cartouches

Johann Georg Hertel (d. 1775)

mid-18th century · Etching and engraving (reverse copy)

Cleared · Public Domain

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The MetSimilar
Calligraphy: Preface to the Anvar-i Suhaili by an unrecorded maker, The Cleveland Museum of Art

Calligraphy: Preface to the Anvar-i Suhaili

Unrecorded maker

c. 1590 · Calligraphy, Gum tempera, ink, and gold on paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
War of Posts by Thomas Colley, The Metropolitan Museum of Art

War of Posts

Thomas Colley (d. 1783)

May 1, 1782 · Engraving

Cleared · Public Domain

live
The MetSimilar
Fan with depiction of the siege of Gibraltar by the Spanish (1779–1783) by an unrecorded maker, The Metropolitan Museum of Art

Fan with depiction of the siege of Gibraltar by the Spanish (1779–1783)

Unrecorded maker

ca. 1782 · Paper and ivory

Cleared · Public Domain

live
The MetSimilar

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