Canopic Jar of Maruta
Unrecorded maker
ca. 1479–1425 BCE · Limestone, blue paste
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
499 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
278 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 26 matching records exist across the two collections.
Results for "Canopic jar inscribed for Minmose"12 records
Institutions answered newest-first by record, interleaved
Fragments of a Canopic Jar Inscribed for Senimen
Unrecorded maker
ca. 1473–1458 BCE · Pottery (Marl A4), paint
Cleared · Public Domain
liveThe MetSimilar
Fragments of a Canopic Jar Inscribed for Senimen
Unrecorded maker
ca. 1473–1458 BCE · Pottery (Marl A4), paint
Cleared · Public Domain
liveThe MetSimilar
Canopic jar inscribed for Minmose
Unrecorded maker
ca. 1450–1400 BCE · Travertine (Egyptian alabaster), paint, Egyptian blue
Cleared · Public Domain
liveThe MetSimilar
Canopic Jar (with lid 30.8.54)
Unrecorded maker
ca. 1347–1330 BCE · Travertine (Egyptian alabaster)
Cleared · Public Domain
liveThe MetSimilar
Canopic Jar Inscribed for King Nesibanebdjedet (Smendes)
Unrecorded maker
ca. 1080–1054 BCE · Travertine (Egyptian alabaster)
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Canopic jar Inscribed for Neferi
Unrecorded maker
ca. 1550–1300 BCE · Pottery, Nile B, red ochre wash, paint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Canopic jar Inscribed for Neferi
Unrecorded maker
ca. 1550–1300 BCE · Pottery, Nile B, red ochre wash, paint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Canopic jar Inscribed for Neferi
Unrecorded maker
ca. 1550–1300 BCE · Pottery, Nile B, red ochre wash, paint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Canopic Jar Inscribed for Neferi
Unrecorded maker
ca. 1550–1300 BCE · Pottery, Nile B, red ochre wash, paint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Canopic Jar Lid
Unrecorded maker
ca. 1550–1300 BCE · Pottery, marl A4, red ichre wash, paint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Canopic jar of Djehuty
Unrecorded maker
ca. 1479–1425 BCE · Pottery, red ochre wash, paint
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.