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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    188 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    247 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 207 matching records exist across the two collections.

Results for "Cantle Plate"12 records

Institutions answered newest-first by record, interleaved

Set of Saddle Plates by an unrecorded maker, The Metropolitan Museum of Art

Set of Saddle Plates

Unrecorded maker

ca. 1400 · Iron, gold, lapis lazuli, turquoise

Cleared · Public Domain

live
The MetSimilar
Cantle Plates by an unrecorded maker, The Metropolitan Museum of Art

Cantle Plates

Unrecorded maker

ca. 1475–1525 · Steel

Cleared · Public Domain

live
The MetSimilar
Cantle Plate by an unrecorded maker, The Metropolitan Museum of Art

Cantle Plate

Unrecorded maker

1563 · Steel

Cleared · Public Domain

live
The MetSimilar
Cantle Plate by an unrecorded maker, The Metropolitan Museum of Art

Cantle Plate

Unrecorded maker

ca. 1550–60 · Steel, gold

Cleared · Public Domain

live
The MetSimilar
Cantle Plate by an unrecorded maker, The Metropolitan Museum of Art

Cantle Plate

Unrecorded maker

ca. 1565–75 · Steel, gold

Cleared · Public Domain

live
The MetSimilar
Cantle Plate (Rear Saddle Plate) From a Horse Armor Probably Made for Count  Antonio IV Collalto (1548–1620) by an unrecorded maker, The Metropolitan Museum of Art

Cantle Plate (Rear Saddle Plate) From a Horse Armor Probably Made for Count Antonio IV Collalto (1548–1620)

Unrecorded maker

ca. 1580–90 · Steel

Cleared · Public Domain

live
The MetSimilar
Saddle (gser sga) by an unrecorded maker, The Metropolitan Museum of Art

Saddle (gser sga)

Unrecorded maker

15th–17th century · Iron, gold, copper, wood, leather

Cleared · Public Domain

live
The MetSimilar
Plate by Thomas Cantle, The Metropolitan Museum of Art

Plate

Thomas Cantle

ca. 1750 · Tin-glazed earthenware

Cleared · Public Domain

live
The MetSimilar
Right Half of a Cantle Plate from a Saddle by an unrecorded maker, The Metropolitan Museum of Art

Right Half of a Cantle Plate from a Saddle

Unrecorded maker

16th–18th century · Iron, gold, silver

Cleared · Public Domain

live
The MetSimilar
Cantle Plate of a Saddle by an unrecorded maker, The Metropolitan Museum of Art

Cantle Plate of a Saddle

Unrecorded maker

ca. 1575 and ca. 1900 · Metal, gilt

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Cantle Plate

Unrecorded maker

ca. 1520 · Metal

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Right Cantle Plate of a Saddle

Unrecorded maker

ca. 1560 · Metal, gilding.

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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