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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    323 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 96 matching records exist across the two collections.

Results for "Capital with Leaves"12 records

Institutions answered newest-first by record, interleaved

Engaged Capital with Windblown Acanthus by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital with Windblown Acanthus

Unrecorded maker

400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Capital with Acanthus and Crosses by an unrecorded maker, The Cleveland Museum of Art

Capital with Acanthus and Crosses

Unrecorded maker

400s · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Saint Barbara (6 of 6 Excised Leaves) by Henri d'Orquevaulx, The Cleveland Museum of Art

Leaf from a Book of Hours: Saint Barbara (6 of 6 Excised Leaves)

Henri d'Orquevaulx

c. 1420–30 · Manuscript, ink, tempera, silver, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Capital with Scenes from Mary’s Infancy by The Cathedral of Monopoli, The Cleveland Museum of Art

Fragment of a Capital with Scenes from Mary’s Infancy

The Cathedral of Monopoli

early 1100s · Sculpture, fine-grained limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
River Village:  Fisherman's Joy by Zhao Mengfu, The Cleveland Museum of Art

River Village: Fisherman's Joy

Zhao Mengfu (d. 1322)

c. 1302–3 · Painting, Fan painting mounted as album leaf; ink and color on silk

Cleared · CC0

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Cleveland Museum of ArtSimilar
Leaf from a Missal: The Crucifixion (recto) and Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Missal: The Crucifixion (recto) and Text (verso)

Unrecorded maker

c. 1330–40 · Manuscript, ink, tempera, and gold leaf on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ramblers over a Winding Stream by Luo Zhichuan, The Cleveland Museum of Art

Ramblers over a Winding Stream

Luo Zhichuan

before 1330 · Painting, Album leaf; ink on silk

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Missal: The Crucifixion (recto) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Missal: The Crucifixion (recto)

Unrecorded maker

c. 1330–40 · Manuscript, ink, tempera, and gold leaf on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Missal: Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Missal: Text (verso)

Unrecorded maker

c. 1330–40 · Manuscript, ink, tempera, and gold leaf on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Achala, King of the Wrathful Ones by an unrecorded maker, The Cleveland Museum of Art

Achala, King of the Wrathful Ones

Unrecorded maker

early 1200s · Textile, Thangka, silk tapestry with pearls

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Double Capital: Mary and Martha at the Raising of Lazarus by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Double Capital: Mary and Martha at the Raising of Lazarus

Unrecorded maker

1145–1165 · Sculpture, quartz sandstone with traces of polychromy

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Dish with Incised Floral Design by an unrecorded maker, The Cleveland Museum of Art

Dish with Incised Floral Design

Unrecorded maker

1100s · Ceramic, glazed porcelain

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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