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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    717 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    386 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 26 matching records exist across the two collections.

Results for "Capital with an Angel Emerging from a Cl"12 records

Institutions answered newest-first by record, interleaved

Incised horse frontlet carved into the shape of a flowering, volute palmette tree by an unrecorded maker, The Metropolitan Museum of Art

Incised horse frontlet carved into the shape of a flowering, volute palmette tree

Unrecorded maker

ca. 9th–8th century BCE · Ivory

Cleared · Public Domain

live
The MetSimilar
Limestone funerary stele (shaft) with a "Cypriot capital" by an unrecorded maker, The Metropolitan Museum of Art

Limestone funerary stele (shaft) with a "Cypriot capital"

Unrecorded maker

5th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Goddess with Weapons in Her Hair by an unrecorded maker, The Metropolitan Museum of Art

Goddess with Weapons in Her Hair

Unrecorded maker

2nd century BCE · Copper alloy

Cleared · Public Domain

live
The MetSimilar
Hole-mouthed jar by an unrecorded maker, The Metropolitan Museum of Art

Hole-mouthed jar

Unrecorded maker

ca. 1st century BCE–1st century CE · Ceramic

Cleared · Public Domain

live
The MetSimilar
Corner Capital with the Dream of the Magi by an unrecorded maker, The Metropolitan Museum of Art

Corner Capital with the Dream of the Magi

Unrecorded maker

ca. 1135–50 · Marble

Cleared · Public Domain

live
The MetSimilar
Processional Cross by an unrecorded maker, The Metropolitan Museum of Art

Processional Cross

Unrecorded maker

ca. 1150–75 · Silver, gilded silver, and niello repoussé on a wood core with pearls, antique intaglios, semiprecious stones, glass, a sapphire, and a garnet (?)

Cleared · Public Domain

live
The MetSimilar
Capital with an Angel Emerging from a Cloud by an unrecorded maker, The Metropolitan Museum of Art

Capital with an Angel Emerging from a Cloud

Unrecorded maker

ca. 1150–1200 · Limestone

Cleared · Public Domain

live
The MetSimilar
Coiled serpent by Mexica artist(s), The Metropolitan Museum of Art

Coiled serpent

Mexica artist(s)

1325–1521 CE · Stone

Cleared · Public Domain

live
The MetSimilar
Panel (one of a pair) by an unrecorded maker, The Metropolitan Museum of Art

Panel (one of a pair)

Unrecorded maker

ca. 1725–35 · Carved oak

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Capital

Frank Lloyd Wright (d. 1959)

ca. 1897 · Painted plaster

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Capital

Frank Lloyd Wright (d. 1959)

ca. 1897 · Painted plaster

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Designs for Four Tiepins and a Pendant with Figurative Motifs

Anonymous, French, 19th century (d. 1900)

ca. 1900 · Graphite, pen and black ink, watercolor, and gouache on buff paper

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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