Capriccio View of a Mediterranean Port
Bonaventura Peeters I (d. 1652)
17th century · Graphite, pen and brown ink, brush and gray ink
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
232 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
307 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 164 matching records exist across the two collections.
Results for "Capriccio View of a Mediterranean Port"12 records
Institutions answered newest-first by record, interleaved
Capriccio of a Bridge with the Arcus Argentariorum by a Mediterranean Harbor
Johannes Abrahamsz Beerstraten (d. 1666)
mid-17th century · Black chalk, graphite, brush and gray ink and wash; framing lines in black chalk
Cleared · Public Domain
liveThe MetSimilar
Entrance to a Dutch Port
Willem van de Velde II (d. 1707)
ca. 1665 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Architectural Capriccio with a Palace seen through a Triumphal Arch
Louis Joseph Le Lorrain (d. 1759)
ca. 1750–59 · Pen and ink with wash
Cleared · Public Domain
liveThe MetSimilar
Architectural Capriccio with a Monumental Arch
Jean Nicolas Servandoni (d. 1766)
18th century · Gouache with touches of gum arabic
Cleared · Public Domain
liveThe MetSimilar
View of a Natural Port
Antoine Benoist (d. 1770)
1736–70 · Engraving
Cleared · Public Domain
liveThe MetSimilar
Coastal View of a Port City in the Levant
Joseph Vernet (d. 1789)
ca. 1770 · Engraving
Cleared · Public Domain
liveThe MetSimilar
VIEW FROM / PORT PUTNAM. / HUDSON. RIVER.
William Ridgway & Co. (d. 1854)
ca. 1840–ca. 1854 · Earthenware, transfer-printed
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of a Mediterranean Town
Jan van de Velde II (d. 1641)
1613–41 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[View from a Port of a Pond and Hillside, Japan]
Adolf de Meyer (d. 1946)
1900 · Gelatin silver print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
View of The Old Port, Saint-Tropez
Pierre Bonnard (d. 1947)
1911 · Oil on canvas
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Port of Ghent
Nikolai Kossikoff (d. 1975)
ca. 1935 · Gelatin silver print with applied media
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.