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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    436 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    280 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 281 matching records exist across the two collections.

Results for "Capriccio with Roman Ruins"12 records

Institutions answered newest-first by record, interleaved

Roman Ruins, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Roman Ruins, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

1673 · Etching; first state of three

Cleared · Public Domain

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The MetSimilar
Ruins of a round building, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Ruins of a round building, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

1673 · Etching; first state of three

Cleared · Public Domain

live
The MetSimilar
Ruins of a Round Building, from "Roman Ruins" by Wenceslaus Hollar, The Metropolitan Museum of Art

Ruins of a Round Building, from "Roman Ruins"

Wenceslaus Hollar (d. 1677)

1673 · Etching, first state of three

Cleared · Public Domain

live
The MetSimilar
Capriccio with a Roman Triumphal Arch by Canaletto (Giovanni Antonio Canal), The Metropolitan Museum of Art

Capriccio with a Roman Triumphal Arch

Canaletto (Giovanni Antonio Canal) (d. 1768)

1720–30 · Pen and brown ink, brush and gray wash, over traces of leadpoint or graphite

Cleared · Public Domain

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The MetSimilar
Capriccio with Roman Ruins by Marco Ricci, The Metropolitan Museum of Art

Capriccio with Roman Ruins

Marco Ricci (d. 1730)

1676–1730 · Gouache on paper

Cleared · Public Domain

live
The MetSimilar
Capriccio with Architectural Ruins in Perspective by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Capriccio with Architectural Ruins in Perspective

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and brown wash, over leadpoint or graphite

Cleared · Public Domain

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The MetSimilar
An Architectural Capriccio, with Classical Ruins by Francesco Guardi, The Metropolitan Museum of Art

An Architectural Capriccio, with Classical Ruins

Francesco Guardi (d. 1793)

ca. 1780–85 · Pen and brown ink, brown wash

Cleared · Public Domain

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The MetSimilar
Capriccio with a Seaport and Classical Ruins by Francesco Guardi, The Metropolitan Museum of Art

Capriccio with a Seaport and Classical Ruins

Francesco Guardi (d. 1793)

1712–93 · Pen and brown ink, brush and brown wash, over black chalk

Cleared · Public Domain

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The MetSimilar
Capriccio with Roman Ruins by Francesco Guardi, The Metropolitan Museum of Art

Capriccio with Roman Ruins

Francesco Guardi (d. 1793)

18th century · Pen and brown ink, brush and brown wash, over graphite; framing lines in pen and brown ink drawn by the artist; sheet glued onto secondary paper support

Cleared · Public Domain

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The MetSimilar
Roman Capriccio with Terrace by Anonymous, Italian, 17th or 18th century, The Metropolitan Museum of Art

Roman Capriccio with Terrace

Anonymous, Italian, 17th or 18th century (d. 1799)

17th–18th century · Pen and brown ink, brush and gray-brown wash, over black chalk or graphite

Cleared · Public Domain

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The MetSimilar
Architectural Capriccio with Roman Monuments and Washerwomen by Hubert Robert, The Metropolitan Museum of Art

Architectural Capriccio with Roman Monuments and Washerwomen

Hubert Robert (d. 1808)

n.d. · Pen and black and gray ink, brush and brown wash, and watercolor

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Capriccio with Ruins and a Gothic Church

Marco Ricci (d. 1730)

ca. 1725–30 · Etching, third state of four

In copyright

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The MetSimilar

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