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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    238 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    346 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 45 matching records exist across the two collections.

Results for "Card No. 5, King Peter of Servia, from t"11 records

Institutions answered newest-first by record, interleaved

Portrait of a Man by Jacob Backer, The Metropolitan Museum of Art

Portrait of a Man

Jacob Backer (d. 1651)

ca. 1645–50 · Black chalk, heightened with white, with touches of red chalk (recto); pen and brown ink, brush and gray wash over black chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Watch by Pierre Vernede, The Metropolitan Museum of Art

Watch

Pierre Vernede (d. 1680)

ca. 1650 · Case: rock crystal and enameled gold mounts; Dial: gold, champlevé enamel, and painted enamel; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Bedcover by an unrecorded maker, The Metropolitan Museum of Art

Bedcover

Unrecorded maker

1725–50 · Silk and metal-wrapped thread on linen

Cleared · Public Domain

live
The MetSimilar
Bun’ya no Asayasu (no. 36), from the series  A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Bun'ya no Asayasu) by Utagawa Kunisada, The Metropolitan Museum of Art

Bun’ya no Asayasu (no. 36), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Bun'ya no Asayasu)

Utagawa Kunisada (d. 1864)

ca. 1844 · Woodblock print (nishiki-e); vertical ōban; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Mibu no Tadamine (no. 37), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Mibu no Tadamine) by Utagawa Kunisada, The Metropolitan Museum of Art

Mibu no Tadamine (no. 37), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Mibu no Tadamine)

Utagawa Kunisada (d. 1864)

ca. 1844 · Woodblock print (nishiki-e); vertical oban; ink and color on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sartain's Union Magazine of Literature and Art, vols. 4-5

John Sartain (d. 1897)

January–December 1849 · Illustrations: steel engravings, mezzotints, wood engravings, lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Illustrated London Almanack

William Biscombe Gardner (d. 1919)

1876–80 · Illustrations: wood engravings and color lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Dial, No. 5

Charles Haslewood Shannon (d. 1937)

1897 · Illustrations: woodcuts, lithographs, photomechanical process

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Card No. 5, King Peter of Servia, from the World War I Scenes series (T121) issued by Sweet Caporal Cigarettes

American Tobacco Company

1914–15 · Photolithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Peter I, King of Serbia, from "Europe During the War"

Anonymous, 20th century (d. 1999)

ca. 1920 · Commercial color lithograph

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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